Cold Comfort and Other Tales has been live now for a bit over a month, and there are a few reviews out there already. I was pretty nervous about how it would be received, but I have been delighted with the feedback so far. Writing is so full of rejections that it is always a major boost when people not only read your stories (which is still, at this point, a shock to me) but like them!
I am sure that the stories may not to be to some people’s taste, and that’s fine, but the good reviews are the sort of thing that makes this all worthwhile–knowing that someone has connected with your story. It’s definitely something to hold on to when you are slogging though edits (as I am doing at the moment), or when the next rejection arrives.
So, at that risk of boasting, here are some excerpts from a couple of the reviews floating around the interwebs. You can follow the link for the full review.
McDonald surely is one to keep an eye on – you only have to look at his list of achievements for confirmation. I can safely rate this collection five out of five with the knowledge it was deserved, as it has action, thoughtful commentary and excellent characters – I always love the character-driven pieces. And, as stated in my bit about his first short Cold Comfort, I’d love to see his work in a longer sense to see what he can do with more room and time. If he can achieve that much world building in so few pages, what else can he accomplish? No pressure, David.
From Stephanie Gunn:
This is a brilliant collection, and especially recommended if you haven’t read any of McDonald’s work before. The stories are well described by the collection title Cold Comfort: these are not easy worlds, but McDonald manages to place hope even in the middle of despair. Vanya discovers that her world isn’t as lost as she thought, Nick and his sentient ship will find a way through, and even in the depths of dystopia, people still speak out.
And, I think this is my first international review, so this was doubly exciting. From The Little Red Reviewer:
Beginnings are important.
Like a first impression, an author has one sentence, one chance to make in initial impression on the reader. We’ve all come across lackluster openings, openings that didn’t inspire, or confused, or simply made you scratch your head. Maybe you kept reading, maybe not.
For me, the ideal opening sentence is a perfect balance between nowhere near enough information, and just enough to draw me in. Not unlike that first floral nose of a glass of wine – you get the aroma, a suggestion of what’s to come, but little to no information about the mouthfeel or finish you’re about to experience. You take a sip because that first scent was intriguing. The titular story of Cold Comfort and Other Tales has just the kind of opening I dream of: perfectly balanced yet minimal information with just the barest hints of the entire worldbuilding of the story:
A big thanks to the reviewers for such kind words and–most importantly–taking the time to read my stories!