Tag Archives: Ditmar Awards

2017 Ditmar Ballot Announced

The 2017 Ditmar Awards Ballot has been released, and I think it’s goimg to cause a lot of people some real problems in deciding who gets their vote–talk about a strong list!

I’m delighted to see a number of my friends and mentors on the list and, as always, honoured to see my name mentioned alongside them. I was grateful to be included in some great projects last year, and it’s wonderful to see them recognised

I have shamelessly stolen the full ballot from the official site, and at the end you’ll find the details of how to vote. Regardless of who you vote for, I do think it is important that everyone eligible to vote does so, because the more people engaged with the awards, the more they reflect the whole community.

Good luck to all the nominees, and whether you win or not, congratulations on your well deserved recognition!

The Ditmar subcommittee are pleased to announce that voting for the
Australian SF (“Ditmar”) Award for 2017 is now open, and will remain
open until one minute before midnight Melbourne time on Sunday, 14th of
May, 2017 (ie. 11.59pm, GMT+10).

The 2017 ballot is as follows:

BEST NOVEL
—————————————————————–
The Grief Hole, Kaaron Warren, IFWG Publishing Australia.
The Lyre Thief, Jennifer Fallon, HarperCollins.
Squid’s Grief, D.K. Mok, D.K. Mok.
Vigil, Angela Slatter, Jo Fletcher Books.
The Wizardry of Jewish Women, Gillian Polack, Satalyte Publishing.

BEST NOVELLA/NOVELETTE
—————————————————————–
“All the Colours of the Tomato”, Simon Petrie, in Dimension6 9.
“By the Laws of Crab and Woman”, Jason Fischer, in Review of Australian Fiction, Vol 17, Issue 6.
“Did We Break the End of the World?”, Tansy Rayner Roberts, in Defying Doomsday, Twelfth Planet Press.
“Finnegan’s Field”, Angela Slatter, in Tor.com.
“Glass Slipper Scandal”, Tansy Rayner Roberts, in Sheep Might Fly.
“Going Viral”, Thoraiya Dyer, in Dimension6 8.

BEST SHORT STORY
—————————————————————–
“Flame Trees”, T.R. Napper, in Asimov’s Science Fiction, April/May 2016.
“No Fat Chicks”, Cat Sparks, in In Your Face, FableCroft Publishing.
“There’s No Place Like Home”, Edwina Harvey, in AntipodeanSF 221.

BEST COLLECTED WORK
—————————————————————–
Crow Shine by Alan Baxter, Ticonderoga Publications.
Defying Doomsday, Tsana Dolichva and Holly Kench, Twelfth Planet Press.
Dreaming in the Dark, Jack Dann, PS Publishing.
In Your Face, Tehani Wessely, FableCroft Publishing.

BEST ARTWORK
—————————————————————–
“The Tame Animals of Saturn”, Adam Browne, in The Tame Animals of Saturn, Peggy Bright Books.
illustration, Shauna O’Meara, for Lackington’s 12.

BEST FAN PUBLICATION IN ANY MEDIUM
—————————————————————–
2016 Australian SF Snapshot, Greg Chapman, Tehani Croft, Tsana Dolichva, Marisol Dunham, Elizabeth Fitzgerald, Stephanie Gunn, Ju Landéesse, David McDonald, Belle McQuattie, Matthew Morrison, Alex Pierce, Rivqa Rafael, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs and Matthew Summers.
The Coode St Podcast, Gary K. Wolfe and Jonathan Strahan.
Earl Grey Editing Services (blog), Elizabeth Fitzgerald.
Galactic Chat, Alexandra Pierce, David McDonald, Sarah Parker, Helen Stubbs, Mark Webb, and Sean Wright.
Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts.
The Writer and the Critic, Kirstyn McDermott and Ian Mond.

BEST FAN WRITER
—————————————————————–
James ‘Jocko’ Allen, for “My Life in Fanzines”, in SF Commentary 93.
Aidan Doyle, for “The Science Fiction Writer’s Hierarchy of Doubt”
Bruce Gillespie, for “Revelations: My Life, Science Fiction, and Fanzines”, in SF Commentary 93.
Foz Meadows for Shattersnipe: Malcontent & Rainbows.
Tansy Rayner Roberts for “Justice League International”

BEST FAN ARTIST
—————————————————————–
Kathleen Jennings for “Illustration Friday”.

BEST NEW TALENT
—————————————————————–
T. R. Napper
Marlee Jane Ward

WILLIAM ATHELING JR. AWARD FOR CRITICISM OR REVIEW
—————————————————————–

Kat Clay for essays and reviews in “Weird Fiction Review”.
Tehani Croft & Marisol Dunham, for “Revisiting Pern: the great McCaffrey reread” review series.
Tsana Dolichva, for reviews, in Tsana’s Reads and Reviews.
Kate Forsyth, for The Rebirth of Rapunzel: a mythic biography of the maiden in the tower, FableCroft Publishing.
Ian Mond, for reviews, in The Hysterical Hamster.
Alexandra Pierce, for reviews, in Randomly Yours, Alex.
Gillian Polack, for History and Fiction: Writers, their Research, Worlds and Stories, Peter Lang.

Votes can be sent via email to:

ditmars@sf.org.au

Note that some categories include more than five nominees due to
tied nomination numbers, while others include fewer than five nominees,
either because insufficient eligible nominees received the required
minimum number of nominations for the category, or because ties meant
that more than seven nominees would have appeared on the ballot.

If possible, please vote online at:

http://ditmars.sf.org.au/2017

The online voting system provides a passworded facility to adjust your
vote at any time before the close of voting.

Alternatively, votes will be accepted via email to:

ditmars@sf.org.au

Postal ballots will be distributed in the near future.

Voting for the Ditmar Award is conducted in accordance with the rules
specified here, and is open to members of Continuum 13(including supporting members) and to members of Contact 2016 who were eligible to vote in the 2016 Award.

Voting in all award categories is by the optional preferential system, and each
eligible individual may vote only once. All ballots (including emailed
ballots) should include the name and address of the voter. If you have
questions regarding the ballot or voting procedure, please email
ditmars@sf.org.au.

Shiny

While I was away – Ditmar and Aurealis shortlists announced

I’ve just gotten back from an amazing trip to the States that included attending Boskone, and I had an incredible time. But, as always, readjusting to normal life has been a struggle. Add that to a major deadline, and blogging has taken a back seat (btw, stayed tuned for some BIG news here soon!).

But, while I was away, the shortlists for both the Ditmar and Aurealis awards were released. I was delighted to get two nominations for the William Atheling Jr Award for Criticism or Review. Big thanks to Tansy and Tehani for letting me be a part of those reviews, and to everyone who nominated us!

As always, it’s wonderful to see such a strong list–it says great things about the state of Aussie spec fic–and really nice that so many of the people are friends of mine. I am particularly happy to see Steve Cameron’s first Aurealis nomination. Not only has Steve been a good mate and a great support to me with my writing, he is one of our best “new” writers (Steve and I started around the same time, so to me that is “new”, but he has achieved a huge amount in that time and is certainly a well-established part of the scene). I am sure this only the first of many nominations for him.

Congratulations to all the nominees, everyone on there would be a deservng winner.

If you are eligible to vote for the Ditmars you can do so here–the more votes, the more representative the awards  are!

DITMAR AWARDS

Best Novel

  • The Dagger’s Path, Glenda Larke (Orbit)
  • Day Boy, Trent Jamieson (Text Publishing)
  • Graced, Amanda Pillar (Momentum)
  • Lament for the Afterlife, Lisa L. Hannett (ChiZine Publications)
  • Zeroes, Scott Westerfeld, Margo Lanagan, and Deborah Biancotti (Simon and Schuster)

Best Novella or Novelette

  • “The Cherry Crow Children of Haverny Wood”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)
  • “Fake Geek Girl”, Tansy Rayner Roberts, in Review of Australian Fiction, volume 14, issue 4 (Review of Australian Fiction)
  • “Hot Rods”, Cat Sparks, in Lightspeed Science Fiction & Fantasy 58 (Lightspeed Science Fiction & Fantasy)
  • “The Miseducation of Mara Lys”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)
  • “Of Sorrow and Such”, Angela Slatter (Tor.com)
  • “The Wages of Honey”, Deborah Kalin, in Cherry Crow Children (Twelfth Planet Press)

Best Short Story

  • “2B”, Joanne Anderton, in Insert Title Here (FableCroft Publishing)
  • “The Chart of the Vagrant Mariner”, Alan Baxter, in Fantasy & Science Fiction, Jan/Feb 2015 (Fantasy & Science Fiction)
  • “A Hedge of Yellow Roses”, Kathleen Jennings, in Hear Me Roar (Ticonderoga Publications)
  • “Look how cold my hands are”, Deborah Biancotti, in Cranky Ladies of History (FableCroft Publishing)

Best Collected Work

  • Bloodlines, Amanda Pillar (Ticonderoga Publications))
  • Cherry Crow Children, Deborah Kalin, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Cranky Ladies of History, edited by Tansy Rayner Roberts and Tehani Wessely (FableCroft Publishing)
  • Letters to Tiptree, edited by Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
  • Peripheral Visions: The Collected Ghost Stories, Robert Hood (IFWG Publishing Australia)

Best Artwork

  • Cover art, Rovina Cai, for “Tom, Thom” (Tor.com)
  • Cover art, Kathleen Jennings, for Bloodlines (Ticonderoga Publications)
  • Cover and internal artwork, Kathleen Jennings, for Cranky Ladies of History (FableCroft Publishing)
  • Cover, Shauna O’Meara, for The Never Never Land
  • Illustrations, Shaun Tan, in The Singing Bone (Allen & Unwin)

Best Fan Publication in Any Medium

  • The Angriest, Grant Watson
  • The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts
  • SF Commentary, Bruce Gillespie
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best Fan Writer

  • Tsana Dolichva, for body of work
  • Foz Meadows, for body of work
  • Ian Mond, for body of work
  • Alexandra Pierce for body of work
  • Katharine Stubbs, for body of work
  • Grant Watson, for body of work

Best Fan Artist

  • Kathleen Jennings, for body of work, including Illustration Friday series
  • Belinda Morris, for body of work, including Belinda Illustrates

Best New Talent

  • Rivqa Rafael
  • T R Napper
  • DK Mok
  • Liz Barr

William Atheling Jr Award for Criticism or Review

  • Letters to Tiptree, edited by Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
  • The Rereading the Empire Trilogy series, Tansy Rayner Roberts
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
  • “Sara Kingdom dies at the end”, Tansy Rayner Roberts, in Companion Piece (Mad Norwegian Press)
  • “SF Women of the 20th Century”, Tansy Rayner Roberts
  • The Squeeing over Supergirl series, David McDonald, and Tehani Wessely

2015 AUREALIS AWARDS – FINALISTS

Of particular interest is the inaugural SARA DOUGLASS BOOK SERIES AWARD. What a great idea to honour a trailblazer for Aussie spec fic, and what a great shortlist to launch it!

Not so great–no horror novel? I will be interested to see that judges’ report!

BEST CHILDREN’S FICTION

A Week Without Tuesday, Angelica Banks (Allen & Unwin)
The Cut-Out, Jack Heath (Allen & Unwin)
A Single Stone, Meg McKinlay (Walker Books Australia)
Bella and the Wandering House, Meg McKinlay (Fremantle Press)
The Mapmaker Chronicles: Prisoner of the Black Hawk, A.L. Tait (Hachette Australia)

BEST GRAPHIC NOVEL / ILLUSTRATED WORK

The Undertaker Morton Stone Vol.1, Gary Chaloner, Ben Templesmith, and Ashley Wood (Gestalt)
The Diemenois, Jamie Clennett (Hunter Publishers)
Unmasked Vol.1: Going Straight is No Way to Die, Christian Read (Gestalt)
The Singing Bones, Shaun Tan (Allen & Unwin)
Fly the Colour Fantastica, various authors (Veriko Operative)

BEST YOUNG ADULT SHORT STORY

“In Sheep’s Clothing”, Kimberly Gaal (Andromeda Spaceways Inflight Magazine #61)
“The Nexus Tree”, Kimberly Gaal (The Never Never Land, CSFG)
“The Miseducation of Mara Lys”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)
“The Heart of the Labyrinth”, DK Mok (In Memory: A Tribute to Sir Terry Pratchett, Sorin Suciu)
“Blueblood”, Faith Mudge (Hear Me Roar, Ticonderoga Publications)
Welcome to Orphancorp, Marlee Jane Ward (Seizure)

BEST HORROR SHORT STORY

“Bullets”, Joanne Anderton (In Sunshine Bright and Darkness Deep, AHWA)
“Consorting with Filth”, Lisa L Hannett (Blurring the Line, Cohesion Press)
“Heirloom Pieces”, Lisa L Hannett (Apex Magazine, Apex Publications)
“The Briskwater Mare”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)
“Breaking Windows”, Tracie McBride (Aurealis #84)
“Self, Contained”, Kirstyn McDermott (The Dark, TDM Press)

BEST HORROR NOVELLA

“Night Shift”, Dirk Flinthart (Striking Fire, FableCroft Publishing)
“The Cherry Crow Children of Haverny Wood”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)
“The Miseducation of Mara Lys”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)
“Wages of Honey”, Deborah Kalin (Cherry Crow Children, Twelfth Planet Press)
“Sleepless”, Jay Kristoff (Slasher Girls and Monster Boys, Penguin)
“Ripper”, Angela Slatter (Horrorology, Jo Fletcher Books)

BEST FANTASY SHORT STORY

“The Giant’s Lady”, Rowena Cory Daniells (Legends 2, Newcon Press)
“The Jellyfish Collector”, Michelle Goldsmith (Review of Australian Fiction Vol. 13 Issue 6)
“A Shot of Salt Water”, Lisa L Hannett (The Dark, TDM Press)
“Almost Days”, DK Mok (Insert Title Here, FableCroft Publishing)
“Blueblood”, Faith Mudge (Hear Me Roar, Ticonderoga Publications)
“Husk and Sheaf”, Suzanne Willis (SQ Mag 22, IFWG Publishing Australia)

BEST FANTASY NOVELLA

“Lodloc and The Bear”, Steve Cameron (Dimension6, coeur de lion)
“Defy the Grey Kings”, Jason Fischer (Beneath Ceaseless Skies, Firkin Press)
“Broken Glass”, Stephanie Gunn (Hear Me Roar, Ticonderoga Publications)
“The Flowers that Bloom Where Blood Touches the Earth”, Stephanie Gunn (Bloodlines, Ticonderoga Publications)
“Haunting Matilda”, Dmetri Kakmi (Cthulhu: Deep Down Under, Horror Australis)
“Of Sorrow and Such”, Angela Slatter (Tor.com)

BEST SCIENCE FICTION SHORT STORY

“2B”, Joanne Anderton (Insert Title Here, Fablecroft)
“The Marriage of the Corn King”, Claire McKenna (Cosmos)
“Alchemy and Ice”, Charlotte Nash (Andromeda Spaceways Inflight Magazine #61)
“Witnessing”, Kaaron Warren (The Canary Press Story Magazine #6)
“All the Wrong Places”, Sean Williams (Meeting Infinity, Solaris)

BEST SCIENCE FICTION NOVELLA

“Blood and Ink”, Jack Bridges, Prizm Books
“The Molenstraat Music Festival”, Sean Monaghan (Asimov’s Science Fiction)
“By Frogsled and Lizardback to Outcast Venusian Lepers”, Garth Nix (Old Venus, Random House)

BEST COLLECTION

The Abandonment of Grace and Everything After, Shane Jiraiya Cummings (Brimstone Press)
Striking Fire, Dirk Flinthart (FableCroft Publishing)
Cherry Crow Children, Deborah Kalin (Twelfth Planet Press)
To Hold the Bridge, Garth Nix (Allen & Unwin)
The Fading, Carole Nomarhas (self-published)
The Finest Ass in the Universe, Anna Tambour (Ticonderoga Publications)

BEST ANTHOLOGY

Hear Me Roar, Liz Grzyb (ed.) (Ticonderoga Publications)
The Year’s Best Australian Fantasy and Horror 2014, Liz Grzyb and Talie Helene (eds.) (Ticonderoga Publications)
Bloodlines, Amanda Pillar (ed.) (Ticonderoga Publications)
Meeting Infinity, Jonathan Strahan (ed.), (Solaris)
The Best Science Fiction and Fantasy of the Year: Volume 9, Jonathan Strahan (ed.) (Solaris)
Focus 2014: highlights of Australian short fiction, Tehani Wessely (ed.) (FableCroft Publishing)

BEST YOUNG ADULT NOVEL

In The Skin of a Monster, Kathryn Barker (Allen & Unwin)
Lady Helen and the Dark Days Club, Alison Goodman (HarperCollins)
The Fire Sermon, Francesca Haig (HarperVoyager)
Day Boy,Trent Jamieson (Text Publishing)
Illuminae, Amie Kaufman and Jay Kristoff (Allen & Unwin)
The Hush, Skye Melki-Wagner (Penguin Random House Australia)

BEST HORROR NOVEL
No Shortlist Released

BEST FANTASY NOVEL

In The Skin of a Monster, Kathryn Barker (Allen & Unwin)
Lady Helen and the Dark Days Club, Alison Goodman (HarperCollins)
Day Boy,Trent Jamieson (Text Publishing)
The Dagger’s Path, Glenda Larke (Hachette Australia)
Tower Of Thorns, Juliet Marillier (Pan Macmillan Australia)
Skin, Ilka Tampke (Text Publishing)

BEST SCIENCE FICTION NOVEL

Crossed, Evelyn Blackwell (self-published)
Clade, James Bradley (Penguin)
Illuminae, Amie Kaufman and Jay Kristoff (Allen & Unwin)
Their Fractured Light, Amie Kaufman and Meagan Spooner (Allen & Unwin)
Renegade, Joel Shepherd (Kindle Direct)
Twinmaker: Fall, Sean Williams (Allen & Unwin)

SARA DOUGLASS BOOK SERIES AWARD

The Chronicles of King Rolen’s Kin [The King’s Bastard (2010), The Uncrowned King (2010), The Usurper (2010), The King’s Man (2012), King Breaker (2013)], Rowena Cory Daniells (Solaris Press)
The Watergivers [The Last Stormlord (2009), Stormlord Rising (2010), Stormlord’s Exile (2011)], Glenda Larke (HarperVoyager)
The Lumatere Chronicles [Finnikin of the Rock (2008), Froi of the Exiles (2011), Quintana of Charyn (2012)], Melina Marchetta (Penguin Random House)
Sevenwaters [Daughter of the Forest (2000), Son of the Shadows (2001), Child of the Prophecy (2002), Heir to Sevenwaters (2009), Seer of Sevenwaters (2011), Flame of Sevenwaters (2013)], Juliet Marillier (Pan Macmillan Australia)
The Laws of Magic [Blaze Of Glory (2007), Heart Of Gold (2007), Word Of Honour (2008),  Time Of Trial (2009), Moment Of Truth (2010), Hour Of Need (2011)], Michael Pryor (Random House Australia)
Creature Court [Power and Majesty (2010), Shattered City (2011), Reign of Beasts (2012)], Tansy Rayner Roberts (HarperVoyager)

Obligatory 2016 Ditmar Eligibility Post

I’m aware of the discussion online about the propriety of award eligibility posts. My personal opinion is that there is nothing wrong with making people aware of what you have done, there is so much out there that it is easy for people to lose track. Soliciting votes–well, that’s another thing and something that I have a huge problem with.

So, I’ll list what I have done, and if people think it is award worthy that’s wonderful. But, far more important is that people nominate and vote for whatever works they think worthy of note. The more people who participate in award, from the Ditmars to the Hugos, the more legitimacy it has, and the wider range of works noticed.

My works are right down the bottom of the post, but don’t feel you need to read down that far, the important message is: make sure you nominate and vote in the Ditmars! There are so many amazing people in the Aussie scene, and they are producing so much good work. The list of eligibles will blow your mind. So, if you have loved someone’s work last year, why not nominate them?

Something that I do want to highlight (that I didn’t create, but was part of, and that I think was amazing not through anything to do with me, but because of the creator) was Laura E. Goodin’s spectacular , “Cabinet of Oddities”. I am not sure what category Laura would be eligible for that under, but I wanted to highlight it as something worth considering (ETA: so far the most likely seems to be “Best Collected Work”). It really was one of the stand out experiences for me in an all round amazing year.

Ditmar Nominations Open

Nominations for the 2016 Australian SF (“Ditmar”) awards are now open
and will remain open until one minute before midnight Brisbane time on
Sunday, 31st of January, 2016 (ie. 11.59pm, GMT+10). Postal nominations
must be postmarked no later than Friday, 29th of January, 2016.

The current rules, including Award categories can be found at:

http://wiki.sf.org.au/Ditmar_rules

You must include your name with any nomination. Nominations will be
accepted only from natural persons active in fandom, or from full or
supporting members of Contact 2016, the 2016 Australian National SF
Convention. Where a nominator may not be known to the Ditmar
subcommittee, the nominator should provide the name of someone known to
the subcommittee who can vouch for the nominator’s eligibility.
Convention attendance or membership of an SF club are among the criteria
which qualify a person as “active in fandom”, but are not the only
qualifying criteria. If in doubt, nominate and mention your qualifying
criteria. If you received this email directly, you almost certainly qualify.

You may nominate as many times in as many Award categories as you like,
although you may only nominate a particular person, work or achievement
once. The Ditmar subcommittee, which is organised under the auspices the
Standing Committee of the Natcon Business Meeting, will rule on
situations where eligibility is unclear. A partial and unofficial
eligibility list, to which everyone is encouraged to add, can be found here:

http://wiki.sf.org.au/2016_Ditmar_eligibility_list

While online nominations are preferred, nominations can be made in a
number of ways:

1. online, via this form:

2. via email to ditmars@sf.org.au; or

3. by post to:

Ditmars
6 Florence Road
NEDLANDS WA 6009
AUSTRALIA

So. my list:

Best Short Story

  • “Her Face Like Lightning”, David McDonald, in Insert Title Here, FableCroft Publishing.
  • “Red in Tooth and Claw”, David McDonald, in Dimension6 5.
  • “Sympathetic Impulses”, David McDonald, in nEvermore!, Hades Publications.
  • “To Dance, Perchance to Die”, David McDonald, in Expiration Date, Hades Publications.

Best Fan Publication in any Medium

  • “Galactic Chat”, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker and Mark Webb.

William Atheling Jr. Award for Criticism or Review

ditmars

My 2015 in Review

Wow – another year is just about to say good bye! Where has it gone? It has been an action packed year for me, so maybe that’s why it seems to have flown past. It’s been pretty successful year, too, with lots of highlights, but before I get into that, let’s look at my goals from 2014 and get the unachieved goals out of the way! Then I can move on to the good stuff…

The big goals for 2015:

  • Get that elusive pro sale!
  • Finish the YA novel and get it off for submission.
  • Catch up with Doctor Who.
  • Get my solo novel done.
  • Start another conversational review series about a series of books that are very dear to my heart
  • Try and get involved in some sort of news/discussion podcast

Let’s see:

  • Nope. I came close with one sale at 5c a word, and an anthology that would have given me a pro sale being put on hold.
  • Nope, but as you will read in the achievements section I made some good progress with this one
  • Nope. Don’t even want to talk about that!
  • Nope, but again feel happy with what I did achieve in that area.
  • Started a conversational review series, but not that one!
  • Nope, but have found the idea and other person, so that’s a start

So, as you can see, I didn’t do so well with the goals. But, now that the self flagellation is out of the way, here’s what I did achieve in 2015!

WRITING

Considering I only had one short story published in 2014, 2015 was a pretty good year on the writing front. I’ve given a comprehensive breakdown on my writing statistics here for those of you who love graphs and stuff, but the upshot was that I had:

  • Five short stories published
  • Managed to crack couer de lion, a market I have coveted for years
  • Sharing a ToC with David Morrell AND Margaret Atwood AND Chelsea Quinn Yarbro AND Tanith Lee (in what was sadly her last appearance) – all in the same amazing book!
  • A reprint
  • A story turned into a podcast at the most excellent StarShipSofa

While I didn’t meet my goal of having my own original solo novel published, the big news was that my first novel length work came out.

9backcountry_

This has led to more tie-in work, and I am looking forward to being able to announce what I think will be my biggest news yet.

While the Secret Young Adult book isn’t finished yet, we made real progress, with the first ten chapters refined to the point we were happy to send them off to test readers. I got the first feedback email today and it is look good!

2016 is already shaping up to be an even bigger year, so stay tuned for more news as it comes.

CONVENTIONS

2015 was a bit of a jetsetting year for me. I was lucky enough to get visit New Zealand for their Natcon, and discovered that NZ fandom is incredibly welcoming and friendly. I also met some wonderful authors, and made some new friends.

Having fun with some new writer friends!

Having fun with some new writer friends!

I had a great time at my home con of Continuum, getting to be on some great panels and generally just having fun.

This panel on Religion in Spec Fic was much more fun than I am making it look here!

This panel on Religion in Spec Fic was much more fun than I am making it look here!

I managed to make it back to the US this year for an incredible 4 week trip that took me from LA to New York, and plenty of places in between. While over there I went to Sasquan, the Worldcon in Spokane, Washington. As well as hanging out with the Brotherhood Without Banners, the greatest fan group in the Universe, I had the honour of accepting a Hugo for Galactic Suburbia. The Hugo Awards night will be indelibly etched in my memory, it was a truly wonderful night that was capped off with the Hugo Loser Party to end all parties!

Sasquan

And, last but not least, I went up to Canberra for Conflux, and as usual had a great time. There were many highlights, like a Paying for Our Passion panel, and experiencing the Cabinet of Oddities performance, where I had the privilege of hearing one of my stories set to music composed especially for it and played on flute.

Conflux

The “Paying for Our Passion” panel

So, not a bad year for conventions!

AWARDS

I was lucky enough to be nominated for a couple of Ditmars this year, including another Atheling nod. I was a little sad that the Snapshot didn’t win, but given the quality of the category it was in I am not complaining–any of the winners would have been deserving!

BLOGGING

While we didn’t finish the New Who stuff, we did get some reviews done, and I also started a new series of reviews with Tehani as we Squeed Over Supergirl!

By far the most successful series on my blog was Paying for Our Passion, and again I must thank all the writers and editors who were willing to make themselves so vulnerable with some excellent posts on the sacrifices we make to pursue or passions.

PODCASTING

Galactic Chat had a quiet end to the year, but I did get the chance to interview some amazing people. If you haven’t already, you should check out the podcast. I also had my first ever podcast interview when I appeared on it myself.

GOALS FOR 2015

So, looking back, it was a pretty good year! Despite my abject failure to meet last year’s, I am going to set some goals for 2016:

  • FINALLY catch up on Doctor Who
  • start the new podcast I have planned
  • get the full version of the YA book out to test readers, if not an agent
  • make that elusive pro sale

And that will do for now. 🙂

Thank you to everyone who has read this blog over the course of the year, and to those who have supported and encouraged me in so many ways. I couldn’t have achieved any of the things I have listed without you. Wishing you all a Happy New Year, and hoping that 2016 is your best yet!

2015 Ditmar Ballot Announced

The 2015 Ditmar Awards Ballot has been released and, as always, I am surprised and delighted to see my name alongside some of my writing role models. I was very fortunate to have been included in some wonderful projects last year and to be nominated for awards on top of having so much fun seems almost cheating.

It’s always a bit surreal to look at the awards ballot and realise how many of the names on there are not only people I know, but people I am lucky enough to call friends. Of course, that makes voting hard at times!

I was saying on Facebook that when you look at this list and see the amazing talent on display, then think about the works that didn’t get nominated, you get a sense of the depth of the Aussie spec fic scene. You could create another couple of strong ballots without straining yourself, and that is a very healthy thing. That’s not in any way a criticism of the existing ballot–only so many things can get on there–but just an observation of how much great stuff is being done every year by Australians.

I have attached the details of how to vote below. Regardless of who you vote for, I do think it is important that everyone eligible to vote does so, because the more people engaged with the awards, the more validity they have.

Good luck to all the nominees, and whether you win or not, congratulations on your well deserved recognition!

Anyone who is a member of Swancon 40 (including supporting members) and anyone was who a member of Continuum 10 last year (who was eligible to vote in the 2014 Award) can vote in this year’s award. I strongly recommend that anyone who is eligible to vote exercises that right, as the more people voting, the better the views of readers are represented in the winners. You don’t have to vote in every category. Voting has opened, and will remain open until one minute before midnight AWST (ie. 11.59pm GMT+8) on Sunday, 22nd of March, 2015.

If possible, please vote online at:

http://ditmars.sf.org.au/2015

The online voting system provides a passworded facility to adjust your vote at any time before the close of voting.

Alternatively, votes will be accepted via email to:

ditmars@sf.org.au

An official ballot paper, including postal address information, will be made available shortly, and may be downloaded as a PDF format file from:

http://ditmars.sf.org.au/2015/2015_Ditmar_ballot.pdf

The 2015 ballot is as follows:

Best Novel
———————————————————-
* The Lascar’s Dagger, Glenda Larke (Hachette)
* Bound (Alex Caine 1), Alan Baxter (Voyager)
* Clariel, Garth Nix (HarperCollins)
* Thief’s Magic (Millennium’s Rule 1), Trudi Canavan (Hachette Australia)
* The Godless (Children 1), Ben Peek (Tor UK)

Best Novella or Novelette
———————————————————-
* “The Ghost of Hephaestus”, Charlotte Nash, in Phantazein (FableCroft
Publishing)
* “The Legend Trap”, Sean Williams, in Kaleidoscope (Twelfth Planet Press)
* “The Darkness in Clara”, Alan Baxter, in SQ Mag 14 (IFWG Publishing Australia)
* “St Dymphna’s School for Poison Girls”, Angela Slatter, in Review of Australian Fiction, Volume 9, Issue 3 (Review of Australian Fiction)
* “The Female Factory”, Lisa L. Hannett and Angela Slatter, in The Female Factory (Twelfth Planet Press)
* “Escapement”, Stephanie Gunn, in Kisses by Clockwork (Ticonderoga Publications)

Best Short Story
———————————————————-
* “Bahamut”, Thoraiya Dyer, in Phantazein (FableCroft Publishing)
* “Vanilla”, Dirk Flinthart, in Kaleidoscope (Twelfth Planet Press)
* “Cookie Cutter Superhero”, Tansy Rayner Roberts, in Kaleidoscope (Twelfth Planet Press)
* “The Seventh Relic”, Cat Sparks, in Phantazein (FableCroft Publishing)
* “Signature”, Faith Mudge, in Kaleidoscope (Twelfth Planet Press)

Best Collected Work
———————————————————-
* Kaleidoscope, edited by Alisa Krasnostein and Julia Rios (Twelfth Planet Press)
* The Year’s Best Australian Fantasy and Horror 2013, edited by Liz Grzyb and Talie Helene (Ticonderoga Publications)
* Phantazein, edited by Tehani Wessely (FableCroft Publishing)

Best Artwork
———————————————————-
* Illustrations, Kathleen Jennings, in Black-Winged Angels (Ticonderoga Publications)
* Cover art, Kathleen Jennings, of Phantazein (FableCroft Publishing)
* Illustrations, Kathleen Jennings, in The Bitterwood Bible and Other Recountings (Tartarus Press)

Best Fan Writer
———————————————————-
* Tansy Rayner Roberts, for body of work
* Tsana Dolichva, for body of work
* Bruce Gillespie, for body of work
* Katharine Stubbs, for body of work
* Alexandra Pierce for body of work
* Grant Watson, for body of work
* Sean Wright, for body of work

Best Fan Artist
———————————————————-
* Nalini Haynes, for body of work, including “Interstellar Park Ranger Bond, Jaime Bond”, “Gabba and Slave Lay-off: Star Wars explains Australian politics”, “The Driver”, and “Unmasked” in Dark Matter Zine
* Kathleen Jennings, for body of work, including Fakecon art and Illustration Friday series
* Nick Stathopoulos, for movie poster of It Grows!

Best Fan Publication in Any Medium
———————————————————-
* Snapshot 2014, Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Jason Nahrung, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely, and Sean Wright
* It Grows!, Nick Stathopoulos
* Galactic Suburbia, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts, and Andrew Finch
* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Chat, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker, and Mark Webb

Best New Talent
———————————————————-
* Helen Stubbs
* Shauna O’Meara
* Michelle Goldsmith

William Atheling Jr Award for Criticism or Review
———————————————————-
* Reviews in The Angriest, Grant Watson
* The Eddings Reread series, Tehani Wessely, Jo Anderton, and Alexandra Pierce, in A Conversational Life
* Reviews in Adventures of a Bookonaut, Sean Wright
* “Does Sex Make Science Fiction Soft?”, in Uncanny Magazine 1, Tansy Rayner Roberts
* Reviews in FictionMachine, Grant Watson
* The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely

Obligatory Ditmar Post for 2015

I feel like I have been a bit self promotional lately, with the FFANZ stuff, the ebook release and trying to boost the signal of the Galactic Chat interviews I have been lucky enough to do. So, I am going to bury my own eligible works right at the bottom of the post.

Don’t feel you need to read down that far, the important message is: make sure you nominate and vote in the Ditmars! There are so many amazing people in the Aussie scene, and they are producing so much good work. The list of eligibles will blow your mind. So, if you have loved someone’s work last year, why not nominate them?

Nominations for the 2015 Australian SF (“Ditmar”) awards are now open and will remain open until one minute before midnight Perth time on Sunday, 1st of February, 2015 (ie. 11.59pm, GMT+8). Postal nominations must be postmarked no later than Friday, 30th of January, 2015.

The current rules, including Award categories can be found HERE.

You must include your name with any nomination. Nominations will be accepted only from natural persons active in fandom, or from full or supporting members of Swancon 40, the 2015 Australian National SF Convention. Where a nominator may not be known to the Ditmar subcommittee, the nominator should provide the name of someone known to the subcommittee who can vouch for the nominator’s eligibility. Convention attendance or membership of an SF club are among the criteria which qualify a person as “active in fandom”, but are not the only qualifying criteria. If in doubt, nominate and mention your qualifying criteria. If you received this email directly, you almost certainly qualify.

You may nominate as many times in as many Award categories as you like, although you may only nominate a particular person, work or achievement once. The Ditmar subcommittee, which is organised under the auspices the Standing Committee of the Natcon Business Meeting, will rule on situations where eligibility is unclear. A partial and unofficial eligibility list, to which everyone is encouraged to add, can be found HERE.

While online nominations are preferred, nominations can be made in a number of ways:

1. online, via this form.

2. via email to ditmars [@] sf.org.au; or

3. by post to:
Ditmars
6 Florence Road
NEDLANDS WA 6009
AUSTRALIA

I don’t have a huge amount of eligible work from 2014. I didn’t even enter my collection in the Aurealis Awards as it is only three stories, and I wouldn’t think it would be competitive with all the amazing anthologies and collected works we have seen over the past twelve months.

Something that I didn’t create, but was part of, and that I think was amazing (not through anything to do with me, but because of the creator) was Laura E. Goodin’s radio play, “Useless Questions”. I am not sure what category Laura would be eligible for that under, but I wanted to highlight it as something worth considering.

So. my list:

Best Short Story

  • “Our Land Abounds”, David McDonald, in Cold Comfort and Other Tales, Clan Destine Press.

Best Fan Publication in any Medium

  • “Galactic Chat”, Sean Wright, Helen Stubbs, David McDonald, Alexandra Pierce, Sarah Parker and Mark Webb.
  • “Snapshot 2014”, Tsana Dolichva, Nick Evans, Stephanie Gunn, Kathryn Linge, Elanor Matton-Johnson, David McDonald, Helen Merrick, Jason Nahrung, Ben Payne, Alex Pierce, Tansy Rayner Roberts, Helen Stubbs, Katharine Stubbs, Tehani Wessely, Sean Wright.

William Atheling Jr. Award for Criticism or Review

ditmars

My 2014 in Review

So, 2014 has come and gone. Wow. Time flies, huh?

Looking back, 2014 was a much better year than I realised. Even though I only had one story published, there were a number of significant milestones that are well worth celebrating.

But, first, let me get the negatives out of the way.

We lost some good people last year, and some people I care about had some tough times. That puts my problems into perspective, in the scheme of things I was very fortunate. So, I don’t really want to go into details as so many others have it so much worse, but during 2014 I struggled with some medical issues and, when added to my talent for taking too much on, I had a bit of a meltdown. The medical stuff is nothing life threatening, or anything for anyone to worry about, but enough to cause some issues. It’s not an excuse, but this did contribute to me messing up a couple of deadlines and letting some people down. You know who you are and, again, I apologise. It’s something I am very disappointed with myself in, and I hope that 2015 will be a much better year for that!

Looking back at the goals that I had set myself, I am disappointed to note that I still haven’t caught up on Doctor Who! Hopefully I can remedy that before Easter for reasons that will become clear later in this post.

I also haven’t made that first pro rate sale, though I do feel that I am getting closer and closer, and I might have another announcement to make soon..

But, on to the good things! There really were some wonderful moments, and I have a lot to be thankful for. And, it’s been great to feel like I am actually making some progress with my writing.

Unfortunately, I can’t share my biggest piece of news yet, but stay tuned as it will be announced around February.

Amongst the things I can talk about are:

  • After an eighteen year career in the field (pretty much straight out of Year 11), I left IT. I was seconded to our Editorial Department for 6 months in the position of Deputy Editor of one of our magazines (though I was essentially doing the Editor’s job). I can now announce that last  week I signed a contract extending my contract and naming me Editor. So, I guess I can say that I am a full time editor and writer now! There are not many people who get the chance to make a living from writing, so I feel incredibly blessed to have this opportunity– it really has changed my life. And, this has been so beneficial to my own writing, both in what I am learning from editing, and  because I am excited to be at work everyday instead being stressed and frustrated all the time. (which I know makes me very fortunate). I also think it has made me more productive, too, if there is a writing muscle, the more you use it the stronger it gets
  • From a fiction writing POV, one of the highlights of 2014 was being shortlisted for the WSFA Small Press Award. As I said at the time, seeing my name alongside all the past nominees and winners was a huge thrill and I was gobsmacked when I found out. I never expected to be nominated, let alone win, so I wasn’t that disappointed to lose–especially to a great story.
  • After two previous nominations, winning a William J. Atheling Jr Award for the New Who reviews. I have felt very privileged to get to work with Tehani and Tansy, and humbled to tie with Galactic Suburbia, one of my biggest influences. Hopefully I can catch up on the latest seasons soon!
  • The Ditmar for Galactic Chat. A huge amount of the credit for this needs to go to Sean Wright, our podcast overlord, and it was great to see him recognised for his hard work. It felt a bit weird winning an award for having the opportunity to get to talk to some of my writing heroes. Seems like a bit of a rort, really! lol
  • Which leads on to the interviews with Ken Liu and Kameron Hurley. Wow, talk about gushing fanboy moments. Just a hint: next year wills ee even more fanboying! I have a few more writing superstars lined up for you.
  • Being asked to return as part of the Aussie Snapshot team. This one was even bigger than the last one, and we managed to cover a huge cross section of the Aussie Spec Fic scene. If you haven’t read it yet, you are really missing out!
  • Even though I had a quiet year in publications, I managed to sell some stories and I have already have three new stories confirmed for 2015 (including a sale to Fablecroft and coeur de lion) as well as something a bit longer which I can’t talk about yet (and that is killing me).
  • The release of a bundle of my short stories from Clan Destine Press, including a brand new story that I am rather proud of, and am very glad to see find a home. It already has a great review!
  • Managing to make a good start on the collaborative young adult novel I am working on, It’s definitely starting to take shape now and has gotten to that point where it has developed some momentum, and the process that we decided to use seems to be working (big thanks to Amie Kaufman for her generosity with her time and advice. I am very excited about where it is heading, and you can expect to hear more about it in 2015
  • Helping my good friend, Laura Goodin, perform a radio play at Conflux. Hopefully there will be a version available for your listening pleasure soon
  • Beating “Hold Over Funds” to become the FFANZ delegate. I am really excited about heading over tot New Zealand in 2015, i am sure that it is going to be a blast. It looks like I need to be caught up on Doctor Who by then, though!
  • Amazing fun at Continuum X and Conflux 10

Aside from all these, there is something even more important to mention. I got to spend time with existing friends, made a number of new friends and, most of all, was continually reminded of what an amazing community we have in Australia. A number of my friends had some great moments of their own, and I was delighted to see their successes (and quite often got to help celebrate them, which is always fun).

The big goals for 2015:

  • Get that elusive pro sale!
  • Finish the YA novel and get it off for submission.
  • Catch up with Doctor Who.
  • Get my solo novel done.
  • Start another conversational review series about a series of books that are very dear to my heart
  • Try and get involved in some sort of news/discussion podcast

And, that’s probably enough for now!

Hopefully I will be at a few cons in 2015. I always try and get to Continuum, and I have brought my membership and booked my hotel for the Worldcon on in Spokane. And, of course, I will be in NZ for their Natcon.

I am looking forward to 2015, which I think might be my biggest yet, and I will be hoping for the same for you!

Writing update with shiny sales and shiny trophies!

Yet again I have been very bad with keeping up to date on my blog. But, I do have lots of exciting stuff to talk about!

Firstly, I have started a new job! I am working for the same organisation, but I have been seconded to our Editorial Department and am now responsible for a fortnightly magazine. It’s been a steep learning curve, but I am loving it. So, I guess now I am a professional writer/editor. The last issue was the first I did completely alone and having survived that I think I am going to be all right – but it was a long fortnight. The downside is that I have been so consumed by learning the ropes that I have let some stuff slide and let some people down with other things. 🙁

I am also very excited to announce the sale of my story, “Her face like lightning”, to Fablecroft’s “Insert Title Here”. You can find out more details here.

I am currently working on two major projects that I hope to be able to announce in a month or so, but they are taking up most of my writing time. If they work out, they will be a big deal but until contracts are signed I will be keeping it quiet.

In June I went along to Continuum X and had an amazing time. I am a bit biased, being on the committee and all, but it seemed to be a smashing success. I spent a fair bit of time running around trying to help with organisational matters, but I also managed to catch up with heaps of friends, and make some new ones. My panels went reasonably well, and I even managed to organise a reprint of one of my stories. Well done to everyone who contributed to making it an awesome convention!

And, in a very surprising turn of events, we won both our categories in the Ditmars! I honestly didn’t expect it, given the other nominees, so it was a wonderful surprise. In the Atheling, New Who Reviews tied with Galactic Suburbia. As Galactic Suburbia was the first Aussie podcast I started listening to, and has had a huge influence on my perception of the genre, this was a huge honour. It’s been a great deal of fun working with Tansy and Tehani, so a big thank you to them for all their hard work and letting me be part of it (and a shout out to our guests over the years  – Lynne Thomas, Jo Anderton and Kathleen Jennings).

Then, in the Best Fan Publication, Galactic Chat won! Again, I have been fortunate to get to work with an incredible group of people, and Sean has worked extremely hard in his role as our fearless leader. We were very excited to see him win Best Fan Writer, as well – a very deserved result.

But, looking at the rest of the nominees in all the categories, it was an extremely strong list – and congratulations to all the winners, and nominees, for the wonderful work you are doing! You can see the full list here.

So, it has been an exciting few months! How is your year going?

Finally, all three of the New Who Review team together at a Con!

Finally, all three of the New Who Review team together at a Con!

A lovely work of art by Kathleen Jennings

A lovely work of art by Kathleen Jennings

Lunch on the last day - photo by Alan Baxter

Lunch on the last day – photo by Alan Baxter

with Alan Baxter and Alex Pierce - photo by Cat Sparks

with Alan Baxter and Alex Pierce – photo by Cat Sparks

2014 Ditmar Award ballot released

Well, the past few weeks have been intense, so much so that I forgot all about this (after the first bit of squeeing), but the 2014 Ditmar Award ballot has been released, and I feature twice (highlighted in bold below)!!!

I have been very fortunate in how many wonderful people I have met since I first entered the scene, not only are most of the names on the ballot good friends, I have also had the chance to work with some amazingly talented people. Both Galactic Chat and the New Who reviewing stuff are so much fun to do, and that comes down to the great company in which I find myself.

Given that in both categories I am up against Hugo nominated works I don’t expect to win, but that’s more than okay. I am just proud to see my name up alongside so many people I respect and admire. Thank you to all those who nominated Galactic Chat and Reviewing New Who!

Whether you vote for me or not, please do make sure you do vote if you are eligible to do so. The more people who do, the more respectability the Ditmars have as the representation of the opinions of the entire Aussie spec fic community.

Good luck to all the nominees!

Voting has now opened, and will remain open until one minute before midnight AEST (ie. 11.59pm, GMT+11),
Wednesday, 28th of May, 2014.

You can vote online here, or visit here for more information.

Best Novel

  • Ink Black Magic, Tansy Rayner Roberts (FableCroft Publishing)
  • Fragments of a Broken Land: Valarl Undead, Robert Hood (Wildside Press)
  • The Beckoning, Paul Collins (Damnation Books)
  • Trucksong, Andrew Macrae (Twelfth Planet Press)
  • The Only Game in the Galaxy (The Maximus Black Files 3), Paul Collins (Ford Street Publishing)

Best Novella or Novelette

  • “Prickle Moon”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • “The Year of Ancient Ghosts”, Kim Wilkins, in The Year of Ancient Ghosts (Ticonderoga Publications)
  • “By Bone-Light”, Juliet Marillier, in Prickle Moon (Ticonderoga Publications)
  • “The Home for Broken Dolls”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)
  • “What Amanda Wants”, Kirstyn McDermott, in Caution: Contains Small Parts (Twelfth Planet Press)

Best Short Story

  • “Mah Song”, Joanne Anderton, in The Bone Chime Song and Other Stories (FableCroft Publishing)
  • “Air, Water and the Grove”, Kaaron Warren, in The Lowest Heaven (Jurassic London)
  • “Seven Days in Paris”, Thoraiya Dyer, in Asymmetry (Twelfth Planet Press)
  • “Scarp”, Cat Sparks, in The Bride Price (Ticonderoga Publications)
  • “Not the Worst of Sins”, Alan Baxter, in Beneath Ceaseless Skies 133 (Firkin Press)
  • “Cold White Daughter”, Tansy Rayner Roberts, in One Small Step (FableCroft Publishing)

Best Collected Work

  • The Back of the Back of Beyond, Edwina Harvey, edited by Simon Petrie (Peggy Bright Books)
  • Asymmetry, Thoraiya Dyer, edited by Alisa Krasnostein (Twelfth Planet Press)
  • Caution: Contains Small Parts, Kirstyn McDermott, edited by Alisa Krasnostein (Twelfth Planet Press)
  • The Bone Chime Song and Other Stories, Joanne Anderton, edited by Tehani Wesseley (FableCroft Publishing)
  • The Bride Price, Cat Sparks, edited by Russell B. Farr (Ticonderoga Publications)

Best Artwork

  • Cover art, Eleanor Clarke, for The Back of the Back of Beyond by Edwina Harvey (Peggy Bright Books)
  • Illustrations, Kathleen Jennings, for Eclipse Online (Nightshade Books)
  • Cover art, Shauna O’Meara, for Next edited by Simon Petrie and Rob Porteous (CSFG Publishing)
  • Cover art, Cat Sparks, for The Bride Price by Cat Sparks (Ticonderoga Publications)
  • Rules of Summer, Shaun Tan (Hachette Australia)
  • Cover art, Pia Ravenari, for Prickle Moon by Juliet Marillier (Ticonderoga Publications)

Best Fan Writer

  • Tsana Dolichva, for body of work, including reviews and interviews in Tsana’s Reads and Reviews
  • Sean Wright, for body of work, including reviews in Adventures of a Bookonaut
  • Grant Watson, for body of work, including reviews in The Angriest
  • Foz Meadows, for body of work, including reviews in Shattersnipe: Malcontent & Rainbows
  • Alexandra Pierce, for body of work, including reviews in Randomly Yours, Alex
  • Tansy Rayner Roberts, for body of work, including essays and reviews at www.tansyrr.com

Best Fan Artist

  • Nalini Haynes, for body of work, including “Defender of the Faith”, “The Suck Fairy”, “Doctor Who vampire” and “The Last Cyberman” in Dark Matter
  • Kathleen Jennings, for body of work, including “Illustration Friday”
  • Dick Jenssen, for body of work, including cover art for Interstellar Ramjet Scoop and SF Commentary

Best Fan Publication in Any Medium

  • Dark Matter Zine, Nalini Haynes
  • SF Commentary, Bruce Gillespie
  • The Writer and the Critic, Kirstyn McDermott and Ian Mond
  • Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, and Mark Webb
  • The Coode Street Podcast, Gary K. Wolfe and Jonathan Strahan
  • Galactic Suburbia, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts

Best New Talent

  • Michelle Goldsmith
  • Zena Shapter
  • Faith Mudge
  • Jo Spurrier
  • Stacey Larner

William Atheling Jr Award for Criticism or Review

  • Reviews in Randomly Yours, Alex, Alexandra Pierce
  • “Things Invisible: Human and Ab-Human in Two of Hodgson’s Carnacki stories”, Leigh Blackmore, in Sargasso: The Journal of William Hope Hodgson Studies #1 edited by Sam Gafford (Ulthar Press)
  • Galactic Suburbia Episode 87: Saga Spoilerific Book Club, Alisa Krasnostein, Alex Pierce, and Tansy Rayner Roberts
  • The Reviewing New Who series, David McDonald, Tansy Rayner Roberts, and Tehani Wessely
  • “A Puppet’s Parody of Joy: Dolls, Puppets and Mannikins as Diabolical Other”, Leigh Blackmore, in Ramsey Campbell: Critical Essays on the Master of Modern Horror edited by Gary William Crawford (Scarecrow Press)
  • “That was then, this is now: how my perceptions have changed”, George Ivanoff, in Doctor Who and Race edited by Lindy Orthia (Intellect Books)

‘Tis the Season – for Award Nominations!

Right now, nominations are open for two of the Australian awards in speculative fiction, the Chronos Awards and the Ditmar Awards.

Ditmar Nominations Open

Nominations for the 2014 Australian SF (“Ditmar”) awards are now open and will remain open until one minute before midnight Melbourne time on Sunday, 20th of March, 2014 (ie. 11.59pm, GMT+10). Likewise, postal nominations must be postmarked no later than Sumday, 20th March, 2014.

The current rules, including Award categories can be found at:

http://wiki.sf.org.au/Ditmar_rules

You must include your name with any nomination. Nominations will be accepted only from natural persons active in fandom, or from full or supporting members of Continuum 10, the 2014 Australian National SF Convention. Where a nominator may not be known to the Ditmar subcommittee, the nominator should provide the name of someone known to the subcommittee who can vouch for the nominator’s eligibility.

While online nominations are preferred, nominations can be made in a number of ways:

1. online, via this form:

http://ditmars.sf.org.au/2014/nominations.html

2. via email to ditmars@sf.org.au; or

3. by post to:

Ditmars
6 Florence Road
NEDLANDS WA 6009
AUSTRALIA

So, basically if you are someone who is active in the Aussie spec fic community, you are eligible to nominate. And, you should! Why? Because, even more so than with the international awards, the more people involved in the awards process, from nomination to voting, the greater the legitimacy they possess. I have only been around a few years, but even in that short time I have seen the Ditmars cop what I consider unfair criticism. The more people who participate in the process the less ammunition there is for critics.

A very comprehensive (but by no means exhaustive) list of eligible works can be found here

Also open are the Chronos Awards – the Victorian version of the Ditmars.

The Chronos Awards celebrate excellence in Victorian Science Fiction, and will be presented this year at Continuum 9. Nominations will be accepted now in all categories – just email your nominations to awards@continuum.org.au. For more information about the awards (including categories and key dates) please see the website, or email awards@continuum.org.au with any queries. Nominations close Sunday, 16th of March.

Another very comprehensive (but by no means exhaustive) list of eligible works can be found here and, again, if you are eligible to nominate or vote, please do so! It really does make a difference.

Obviously I have eligible works in both sets of awards, but I don’t expect anyone to nominate, or vote for, me. If you do that’s wonderful, of course! But, you can stop reading here and just take away the core message of this post -nominate and vote the works you believe deserve it! The reason I say this is because the more people who nominate and vote, the more credibility these awards have, which can only be good for the Australian speculative fiction scene as a whole.

However, if you are interested in seeing what I have in the mix then read on:

DITMAR AWARDS

Best Novella or Novelette

“Set Your Face Towards the Darkness”, David McDonald, in Tales of Australia: Great Southern Land, Satalyte Publishing

Best Short Story

“Homecoming”, David McDonald, in ReDeus: Native Lands, Crazy 8 Press.
“In Foreign Fields”, David McDonald, in ReDeus: Beyond Borders, Crazy 8 Press.
“Shadows from the East”, David McDonald in The Shadow of Judex, Black Coat Press.
“The Lesser of Two Evils”, David McDonald in Tales of the Shadowmen 10: Esprit De Corps, Black Coat Press.

Best Fan Publication in any Medium

Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, Mark Webb and Sarah Parker

William Atheling Jr Award for Criticism or Review

David McDonald, Tansy Rayner Roberts and Tehani Wessely for the Reviewing New Who series.

CHRONOS AWARDS

Short Stories

“Homecoming”, David McDonald, in ReDeus: Native Lands, Crazy 8 Press.
“In Foreign Fields”, David McDonald, in ReDeus: Beyond Borders, Crazy 8 Press.
“The Lesser of Two Evils”, David McDonald in Tales of the Shadowmen 10: Esprit De Corps, Black Coat Press.
“Shadows from the East”, David McDonald in The Shadow of Judex, Black Coat Press.
“Set Your Face Towards the Darkness”, David McDonald, in Tales of Australia: Great Southern Land, Satalyte Publishing