In today’s featured guest post, I have the great pleasure of welcoming D.K. Mok to my blog. D.K. is one of the ascending stars of Aussie spec fic, with a number of critically acclaimed short stories to her name as well as some wonderful novels. I’ve been lucky enough to see my name next to D.K.’s in a couple of anthologies, and on the recent WSFA Small Press Award shortlist, so I feel a bit of a link with her. When I heard about her new book I figured it was the perfect time to invite her to pop by Ebon Shores, and she has written a great post that reflects a lot of what I am trying to do here – to help promote others the way I have been helped.
D.K.’s new book is called Hunt for Valamon and I have included some links if you want to check out what I am sure will be an excellent read: Paperback copies are available from Amazon, Barnes & Noble and The Book Depository. The ebook is available on Kindle and Nook.
We Are An Ocean: Bibliodiversity and Community
I recently had the good fortune to attend a talk by pioneering oceanographer Sylvia Earle at the Sydney Opera House. She spoke passionately about biodiversity and climate change, and the desperate need for education, understanding and kindness. When asked about her own trailblazing career, her response again touched on the importance of support and cooperation.
As I left the auditorium, my head swimming with complicated ecosystems and the struggle for resources, I found myself thinking about competition and cooperation, and how these forces interacted within creative communities. I’ve been lucky enough to know wonderful graphic designers, zinesters and sugar artists, but it was my experience of the speculative fiction community that I found myself contemplating.
For most of my life, writing has been a fairly solitary pursuit, and I envisioned most authors to be starving romantics in draughty garrets, or cackling eccentrics holed up in cluttered basements. However, when my stories started getting published, I began to meet other authors, editors, bloggers and readers. I waded cautiously into the world of social media, I joined writing groups and attended conventions. I felt a little like the creature from Shaun Tan’s The Lost Thing, stepping through the cryptic doors and discovering a bustling world full of odd and wonderful things, most of them saying “Welcome! Welcome!”
I’m aware that publishing is a highly competitive field, and writers are often competing for readers, publishers, budgets, and spots on a TOC. However, I’ve been fortunate in that my experience within the speculative fiction community has largely been of writers helping other writers. This, I believe, is key to shaping the kind of literary landscape we want to inhabit.
Last year, I was invited to participate in the Australian Speculative Fiction Snapshot for the first time. This massive project featured interviews with one hundred and eighty-nine Australian writers, editors, artists and bloggers, and I was awed by the diversity of voices, interests and intents. It was also around this time that I came across a delightful word I hadn’t encountered before: bibliodiversity.
I come from a background in biology, so when I first heard the term bibliodiversity it conjured images of stately coffee-table books marching across the savannah, and horror novels stretched beside the long grass. I envisioned herds of fantasy books milling around the waterhole, their pages flicking away swarms of handmade zines.
I soon learned that the word “bibliodiversity” was originally coined to express the importance of independent publishers, although it has also come to refer to the need for diverse authors, characters and stories. There’s a growing awareness that diversity is not only desirable, but crucial, to the prosperity of the industry.
In a sense, the literary landscape is an ecosystem. And much as a thriving ocean has everything from curious squid to amiable whale sharks, the writing community is enriched by its varied population, from poetic horror to subversive sci-fi, haunting folktales to quirky fantasy. It’s this environment of bibliodiversity that supports an innovative, vibrant and resilient community.
Which brings me back to the ideas of competition and cooperation. There’s nothing wrong with a healthy and respectful degree of competition, but the value of cooperation and support can’t be overstated. Writing can be a solitary road, and chasing one’s dreams can be a bruising endeavour. Sometimes, a word of encouragement, a little kindness, can make a lasting impact, and give courage to a voice that might otherwise be lost.
Writers who help other writers cultivate a flourishing ecosystem, because we are a community. We are an ocean. And by giving someone else a place to stand, you firm the ground beneath everyone’s feet.
DK Mok is a fantasy and science fiction author whose novels include Hunt for Valamon and The Other Tree, published by Spence City. DK’s short story ‘Morning Star’ (One Small Step, FableCroft Publishing) was shortlisted for an Aurealis Award and a Washington Science Fiction Association Small Press Award.
DK graduated from UNSW with a degree in Psychology, pursuing her interest in both social justice and scientist humour. DK lives in Sydney, Australia, and her favourite fossil deposit is the Burgess Shale.