Watching New Who – in conversation with David McDonald, Tansy Rayner Roberts and Tehani Wessely
David is coming to New Who for the first time, having loved Classic Who as a kid. Tehani is a recent convert, and ploughed through Seasons 1 to 6 (so far) in just a few weeks after becoming addicted thanks to Matt Smith – she’s rewatching to keep up with David! Tansy is the expert in the team, with a history in Doctor Who fandom that goes WAY back, and a passion for Doctor Who that inspires us all. We’re going to work our way through New Who, using season openers and closers, and Hugo shortlisted episodes, as our blogging points. Just for fun! Our first review (“Rose”, S01E01) can be found here.
Season one, episode six
The Doctor – Christopher Eccleston
Rose Tyler – Billie Piper
Okay, so we’ve seen the year five billion and met a creepy human skin in “The End of the World”, gone back to Victorian England for a very Sherlock Holmes-y style ghost busting episode in “The Unquiet Dead”, been introduced to the Slitheen and their self-centred plans in “Aliens of London” and “World War Three” (and Harriet Jones! I love her), and now we’re up to “Dalek”, the first of Season One’s Hugo nominated episodes. The Doctor and Rose are getting to know each other, as we get to know them, and it must have been interesting for long term fans to watch Eccleston in this role, after such a long break from the show. Tansy, any thoughts to share on what that was like, for those early episodes, before we get to “Dalek”?
TANSY:
Mostly for me it was a wild ride – I had no particular interaction with fandom, and so I wasn’t juggling the kind of critical attention that overwhelms Doctor Who these days. But after months of seeing nothing but “Rose” as evidence of what New Who would be about, The End of the World was an enormous delight – aliens and space stations, and the unrolling mythology of human futures! Looking at it now, that episode suffers a lot from budgetary issues, but at the time it showed us the kind of creativity and ambition we were going to associate with the new series. Also the use of actual music – not just Murray Gold being a genius, but Britney Spears! – was a shock to the system. Was “The Unquiet Dead” showed us also that Earth’s history and time travel were going to be important – something we had learned not to take for granted about Doctor Who since the end of the Hartnell era, really. “Aliens of London” and “World War Three” are generally dismissed by fans now thanks to the silliness of the Slitheen (though gotta say, the kids love em!), but they were mind blowing at the time too – the idea that we would be exploring a contemporary Earth where everyone knew aliens were real was a fascinating one, which RTD would flirt with throughout his era.
DAVID:
I found “The End of the World” much stronger than the Slitheen episodes, which appeared to be played a little too much for laughs. I thought too much about what they did to the pig though, that’s actually pretty horrifying when you think about it. It was also interesting seeing the impact that Rose’s leaving had on those around her, you don’t always think about what happens to the companion’s lives outside oft heir adventures with the Doctor (as I think Tansy has alluded to).
“The End of the World” also had some good scenes for Rose where her homesickness comes to the fore, and the Doctor showing his compassion with perhaps the best phone modification imaginable. And I always love seeing heaps of different aliens.
“The Unquiet Dead” was a bit of a throwback to some of the “historical” episodes I grew up with, where we see that it isn’t just about outer space or the future, but about the past as well. The repartee between the Doctor and Charles Dickens was great fun, and it was good character development for Rose as she gets some idea about the vast distances she is travelling in both time and space, and how different her life was from the maids in its scope even before she met the Doctor.
Tehani, I loved Harriet Jones too … so VERY English!


