Tag Archives: Ditmar Awards

‘Tis the Season – for Award Nominations!

Right now, nominations are open for two of the Australian awards in speculative fiction, the Chronos Awards and the Ditmar Awards.

Ditmar Nominations Open

Nominations for the 2014 Australian SF (“Ditmar”) awards are now open and will remain open until one minute before midnight Melbourne time on Sunday, 20th of March, 2014 (ie. 11.59pm, GMT+10). Likewise, postal nominations must be postmarked no later than Sumday, 20th March, 2014.

The current rules, including Award categories can be found at:

http://wiki.sf.org.au/Ditmar_rules

You must include your name with any nomination. Nominations will be accepted only from natural persons active in fandom, or from full or supporting members of Continuum 10, the 2014 Australian National SF Convention. Where a nominator may not be known to the Ditmar subcommittee, the nominator should provide the name of someone known to the subcommittee who can vouch for the nominator’s eligibility.

While online nominations are preferred, nominations can be made in a number of ways:

1. online, via this form:

http://ditmars.sf.org.au/2014/nominations.html

2. via email to ditmars@sf.org.au; or

3. by post to:

Ditmars
6 Florence Road
NEDLANDS WA 6009
AUSTRALIA

So, basically if you are someone who is active in the Aussie spec fic community, you are eligible to nominate. And, you should! Why? Because, even more so than with the international awards, the more people involved in the awards process, from nomination to voting, the greater the legitimacy they possess. I have only been around a few years, but even in that short time I have seen the Ditmars cop what I consider unfair criticism. The more people who participate in the process the less ammunition there is for critics.

A very comprehensive (but by no means exhaustive) list of eligible works can be found here

Also open are the Chronos Awards – the Victorian version of the Ditmars.

The Chronos Awards celebrate excellence in Victorian Science Fiction, and will be presented this year at Continuum 9. Nominations will be accepted now in all categories – just email your nominations to awards@continuum.org.au. For more information about the awards (including categories and key dates) please see the website, or email awards@continuum.org.au with any queries. Nominations close Sunday, 16th of March.

Another very comprehensive (but by no means exhaustive) list of eligible works can be found here and, again, if you are eligible to nominate or vote, please do so! It really does make a difference.

Obviously I have eligible works in both sets of awards, but I don’t expect anyone to nominate, or vote for, me. If you do that’s wonderful, of course! But, you can stop reading here and just take away the core message of this post -nominate and vote the works you believe deserve it! The reason I say this is because the more people who nominate and vote, the more credibility these awards have, which can only be good for the Australian speculative fiction scene as a whole.

However, if you are interested in seeing what I have in the mix then read on:

DITMAR AWARDS

Best Novella or Novelette

“Set Your Face Towards the Darkness”, David McDonald, in Tales of Australia: Great Southern Land, Satalyte Publishing

Best Short Story

“Homecoming”, David McDonald, in ReDeus: Native Lands, Crazy 8 Press.
“In Foreign Fields”, David McDonald, in ReDeus: Beyond Borders, Crazy 8 Press.
“Shadows from the East”, David McDonald in The Shadow of Judex, Black Coat Press.
“The Lesser of Two Evils”, David McDonald in Tales of the Shadowmen 10: Esprit De Corps, Black Coat Press.

Best Fan Publication in any Medium

Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald, Mark Webb and Sarah Parker

William Atheling Jr Award for Criticism or Review

David McDonald, Tansy Rayner Roberts and Tehani Wessely for the Reviewing New Who series.

CHRONOS AWARDS

Short Stories

“Homecoming”, David McDonald, in ReDeus: Native Lands, Crazy 8 Press.
“In Foreign Fields”, David McDonald, in ReDeus: Beyond Borders, Crazy 8 Press.
“The Lesser of Two Evils”, David McDonald in Tales of the Shadowmen 10: Esprit De Corps, Black Coat Press.
“Shadows from the East”, David McDonald in The Shadow of Judex, Black Coat Press.
“Set Your Face Towards the Darkness”, David McDonald, in Tales of Australia: Great Southern Land, Satalyte Publishing

2013 Ditmar Award ballot released

The 2013 Ditmar Award ballot has been released, and I am surprised and delighted to see that I have been nominated for a couple of things!

In the Best New Talent I am up against my good friend Steve Cameron and my mentor sister Stacey Larner, as well as the talented Faith Mudge. Needless to say, I am not really expecting to win given such competition, but it really is an honour to be listed alongside them.

In other categories, I have been nominated along with some of my favourite people which is a real thrill. Thanks to everyone who nominated!

As with the other awards lists released recently, there are lots of friends on there so whatever happens it is going to be a great night in Canberra.

Voting has now opened, and will remain open until one minute before midnight AEST (ie. 11.59pm, GMT+11), Thursday, 25th of April, 2013.

You can vote online here, or visit here for more information.

Good luck to all the nominees!

Best Novel

* Sea Hearts, Margo Lanagan (Allen & Unwin)
* Bitter Greens, Kate Forsyth (Random House Australia)
* Suited (The Veiled Worlds 2), Jo Anderton (Angry Robot)
* Salvage, Jason Nahrung (Twelfth Planet Press)
* Perfections, Kirstyn McDermott (Xoum)
* The Corpse-Rat King, Lee Battersby (Angry Robot)

Best Novella or Novelette

* “Flight 404”, Simon Petrie, in Flight 404/The Hunt for Red Leicester (Peggy Bright Books)
* “Significant Dust”, Margo Lanagan, in Cracklescape (Twelfth Planet Press)
* “Sky”, Kaaron Warren, in Through Splintered Walls (Twelfth Planet Press)

Best Short Story

* “Sanaa’s Army”, Joanne Anderton, in Bloodstones (Ticonderoga Publications)
* “The Wisdom of Ants”, Thoraiya Dyer, in Clarkesworld 75
* “The Bone Chime Song”, Joanne Anderton, in Light Touch Paper Stand Clear (Peggy Bright Books)
* “Oracle’s Tower”, Faith Mudge, in To Spin a Darker Stair (FableCroft Publishing)

Best Collected Work

* Cracklescape by Margo Lanagan, edited by Alisa Krasnostein (Twelfth Planet Press)
* Epilogue, edited by Tehani Wessely (FableCroft Publishing)
* Through Splintered Walls by Kaaron Warren, edited by Alisa Krasnostein (Twelfth Planet Press)
* Light Touch Paper Stand Clear, edited by Edwina Harvey and Simon Petrie (Peggy Bright Books)
* Midnight and Moonshine by Lisa L. Hannett and Angela Slatter, edited by Russell B. Farr (Ticonderoga Publications)
* The Year’s Best Australian Fantasy and Horror 2011, edited by Liz Grzyb and Talie Helene (Ticonderoga Publications)

Best Artwork

* Cover art, Nick Stathopoulos, for Andromeda Spaceways Inflight Magazine 56 (ASIM Collective)
* Cover art, Kathleen Jennings, for Midnight and Moonshine (Ticonderoga Publications)
* Illustrations, Adam Browne, for Pyrotechnicon (Coeur de Lion Publishing)
* Cover art and illustrations, Kathleen Jennings, for To Spin a Darker Stair (FableCroft Publishing)
* Cover art, Les Petersen, for Light Touch Paper Stand Clear (Peggy Bright Books)

Best Fan Writer

* Alex Pierce, for body of work including reviews in Australian Speculative Fiction in Focus
* Tansy Rayner Roberts, for body of work including reviews in Not If You Were The Last Short Story On Earth
* Grant Watson, for body of work including the “Who50” series in The Angriest
* Sean Wright, for body of work including reviews in Adventures of a Bookonaut

Best Fan Artist

* Kathleen Jennings, for body of work including “The Dalek Game” and “The Tamsyn Webb Sketchbook”

Best Fan Publication in Any Medium

* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Suburbia, Alisa Krasnostein, Tansy Rayner Roberts, and Alex Pierce
* Antipodean SF, Ion Newcombe
* The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
* Snapshot 2012, Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung et. al.
* Australian Speculative Fiction in Focus, Alisa Krasnostein, Tehani Wessely, et. al.
* Galactic Chat, Alisa Krasnostein, Tansy Rayner Roberts, and Sean Wright

Best New Talent

* David McDonald
* Faith Mudge
* Steve Cameron
* Stacey Larner

William Atheling Jr Award for Criticism or Review

* Alisa Krasnostein, Kathryn Linge, David McDonald, and Tehani Wessely, for review of Mira Grant’s Newsflesh, in ASIF
* Tansy Rayner Roberts, for “Historically Authentic Sexism in Fantasy. Let’s Unpack That.”, in tor.com
* David McDonald, Tansy Rayner Roberts, and Tehani Wessely, for the “New Who in Conversation” series
* Liz Grzyb and Talie Helene, for “The Year in Review”, in The Year’s Best Australian Fantasy and Horror 2011
* Rjurik Davidson, for “An Illusion in the Game for Survival”, a review of Reamde by Neal Stephenson, in The Age

‘Tis the Season – for Award Nominations! (Aussie Edition)

Right now, nominations are open for two of the Australian awards in speculative fiction, the Chronos Awards and the Ditmar Awards.

Ditmar Nominations Open

Nominations for the 2013 Australian SF (“Ditmar”) awards are now open and will remain open until one minute before midnight Canberra time on Wednesday, 20th of March, 2013 (ie. 11.59pm, GMT+10). Likewise, postal nominations must be postmarked no later than Wednesday, 20th March, 2013.

The current rules, including Award categories can be found at:

http://wiki.sf.org.au/Ditmar_rules

You must include your name with any nomination. Nominations will be accepted only from natural persons active in fandom, or from full or supporting members of Conflux 9, the 2013 Australian National SF Convention. Where a nominator may not be known to the Ditmar subcommittee, the nominator should provide the name of someone known to the subcommittee who can vouch for the nominator’s eligibility.

While online nominations are preferred, nominations can be made in a number of ways:

1. online, via this form:

http://ditmars.sf.org.au/2013/nominations.html

2. via email to ditmars@sf.org.au; or

3. by post to:

Ditmars
6 Florence Road
NEDLANDS WA 6009
AUSTRALIA

So, basically if you are someone who is active in the Aussie spec fic community, you are eligible to nominate. And, you should! Why? Because, even more so than with the international awards, the more people involved in the awards process, from nomination to voting, the greater the legitimacy they possess. I have only been around a few years, but even in that short time I have seen the Ditmars cop what I consider unfair criticism. The more people who participate in the process the less ammunition there is for critics.

A very comprehensive (but by no means exhaustive) list of eligible works can be found here

Also open are the Chronos Awards – the Victorian version of the Ditmars.

The Chronos Awards celebrate excellence in Victorian Science Fiction, and will be presented this year at Continuum 9. Nominations will be accepted now in all categories – just email your nominations to awards@continuum.org.au. For more information about the awards (including categories and key dates) please see the website, or email awards@continuum.org.au with any queries.

Another very comprehensive (but by no means exhaustive) list of eligible works can be found here and, again, if you are eligible to nominate or vote, please do so! It really does make a difference.

Obviously I have eligible works in both sets of awards, but I don’t expect anyone to nominate, or vote for, me. If you do that’s wonderful, of course! But, you can stop reading here and just take away the core message of this post -nominate and vote the works you believe deserve it!

However, if you are interested in seeing what I have in the mix then read on:

DITMAR AWARDS

Best Novella or Novelette

“Cold Comfort”,  in Epilogue, FableCroft Publishing.

“Reflections in a Silver Mirror”, in The Lone Ranger Chronicles, Moonstone Books.

Best Short Story

“Diplomatic Freeze”, in Tales of the Shadowmen, Black Coat Press.

“Through Wind and Weather”, in Deck the Halls”, eMergent Publishing.

“The Girl from Odessa”, in Night of the Nyctalope, Black Coat Press.

Best Fan Writer

Body of Work

Best Fan Publication in any Medium

Snapshot 2012, Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung, Alex Pierce, Tansy Rayner Roberts, Tehani Wessely and Sean Wright (Snapshot Roundup)

William Atheling Jr Award for Criticism or Review

Alisa Krasnostein, Kathryn Linge, David McDonald and Tehani Wessely, for review of the Newsflesh series by Mira Grant, in Australian Speculative Fiction in Focus.

David McDonald, Tansy Rayner Roberts and Tehani Wessely for the Reviewing New Who series.

CHRONOS AWARDS

Short Stories

“Cold Comfort”,  in Epilogue, FableCroft Publishing.

“Diplomatic Freeze”, in Tales of the Shadowmen, Black Coat Press.

“Reflections in a Silver Mirror”, in The Lone Ranger Chronicles, Moonstone Books.

“Through Wind and Weather”, in Deck the Halls”, eMergent Publishing.

“The Girl from Odessa”, in Night of the Nyctalope, Black Coat Press.

Fan Written Work

Reviewing New Who series by David McDonald, Tansy Rayner Roberts and Tehani Wessely.

Review by David McDonald, Alisa Krasnostein, Kathryn Linge and Tehani Wessely of the Newsflesh series by Mira Grant, in Australian Speculative Fiction in Focus.

Fan Writers

Body of Work

Acheivements

“Snapshot 2012” by Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung, Alex Pierce, Tansy Rayner Roberts, Tehani Wessely and Sean Wright.

My (very belated) Natcon report

I thought I had survived the excitement of the Con unscathed, but around Thursday the dreaded Con lurgy hit me like a tonne of bricks, and I’ve been the walking dead since. But, it was worth it, I had an awesome time at Natcon.

On the Friday I had the privilege of being part of Kelly Link’s short story workshop. Not only did I get excellent feedback on the story I submitted, from Kelly and the group, but we also went through some very useful exercises, one of which I have used already to great effect. I also met some very talented writers and hope to stay in touch with them. It’s amazing how much Kelly packed into the time we had, I can see why she is as highly regarded as she is.

After the workshop I didn’t have a great deal of time before my first panel, so after a quick trip to the bar, it was time for Daikaiju Go Heavenly!. As well featuring the dashing Dirk Flinthart, Cat had roped in expert assistance in the form of Robin Pen, and a hilarious panel ensued. I don’t think we really decided on a victor, but I think I defended Christ’s honour reasonably well, though I might have committed both blasphemy and heresy at various points.

Photo by Cat Sparks

Dirk Flinthart and Robin Pen impart their wisdom.

Then it was time for a quick meal, which in hindsight turned out to be a big mistake, then off to the Twelfth Planet Hour, where we sampled the most incredible range of cupcakes imaginable (well done on an awesome job, Terri!). It was wonderful to spend time mingling with so many people as we celebrated the well deserved success of TPP. And, I accidentally discovered that the cupcakes were capable of exploding in a cloud of cream if dropped….

Photo by Cat Sparks

Meg Mundell and I – before the cupcake goes all kamikaze!

This segued nicely into the opening ceremony, where the Continuum tradition (well, this is my second) of excellent video montages continued. With a smack of the gavel, the Con was officially launched. I then had to quickly head to another panel, Continuum 101, where I imparted my meagre Con wisdom to an audience of neophyte Con goers who listened very politely. It was around then that I started to feel ill, and I retired to a friend’s motel room to lie down for a while (A big thank you to Steve and Pete who were very generous with their room all weekend), which turned into a few hours. There was a rather embarrassing moment when I staggered out of the room wearing a wet face washer on my hat like a bedraggled hat, only to almost walk into two people I was on panel with the next day (when I attempted to explain the next day they were very understanding, and pointed out it was far from the strangest thing that they had seen at a Con). Eventually I made my way downstairs, bid a few quick goodbyes and somehow got home.

The next morning I had two panels on religion back to back, and to be honest I was a little nervous – it isn’t the most safe of topics at times. But, both went really well. The first, New Faiths for New Worlds was really well moderated by Russell, and we covered some interesting ground. Alan and I both picked the same examples for a religion done well and a religion done badly, and took turns beating each other to the punch. The second, Fans and Faith was one of the best panels I had ever been on, and a very different vibe than I was used to. Not only did Mondy moderate brilliantly, with his usual mix of wit and perception, he also raised some points I had never even thought of and gave me a story idea! Through out the weekend I had people, religious and non religious, approaching me to remark on these two panels and tell me how much they enjoyed them or to ask questions, which is not something I have had happen before.

After all that excitement I was very happy to take some time for lunch and take in some caffeine, and do some socialising. Then it was off to Winter is Coming, a panel on the various works of George R.R. Martin. After the more serious morning ones, this was a lot of fun, very energetic with lots of audience interaction. We covered everything from piracy to the state of television, as well as plenty of talk about the “Game of Thrones” television series.

Photo by Tom Bicknell

Ben Mckenzie gets expressive as Kelly Link, David McDonald, Mick Mihalic and Jules Wilkinson look on

Then it was time for something that had really been giving me the heebie jeebies, my first reading. It was a bit of an anti climax, four writers from Epilogue facing an audience one person, so Dirk invoked an ancient and venerable rule regarding panels, if the panel outnumbers the audience you all go to the bar! To be honest, I wasn’t that crushed, I had been rather nervous at the idea of reading from my story. Maybe next time.

Photo by Jo Anderton

Signing a book for only the second time ever!

That was the end of my commitments for the day, which meant I got down to the real business of a convention, socialising! There were so many people to chat to that the time flew. After a lovely dinner, and more time in the bar I realised that, yet again, I had missed the Maskobalo!

On Sunday, my first panel was a zombie themed one, We Want Your Brainz. Fortunately, a very kind soul brought me in a coffee so I wasn’t a complete zombie myself. We talked about what exactly makes a zombie, and whether zombies and romance are ever a good mix. As well as all the other excellent panellists, I got to sit with the author of one of the best short stories I have ever read (Stephen Dedman and his story “Never Seen by Waking Eyes”), which was a thrill.

Later that afternoon, after more socialising, it was time for the Newbie’s Guide to Writing, where a bunch of newish writers were able to talk about the mistakes that they had made so that others could avoid them, and pass on hard won tips. We also had the editor of the amazing collection Ishtar present, Amanda Pillar, who gave an excellent perspective from the other side of the submissions process. It was a well attended, and I hope really informative panel. And, that was the end of my scheduled panels for the convention, so I could relax.

Photo by Tom Bicknell

Travis McKenzie and I on the “Newbie’s Guide to Writing”

I then wandered up to the launch of Felicity Dowker’s Bread and Circuses, which was very well attended. I thought Alan Baxter spoke very well, and it was heartening to see all the launch copies disappearing as people put their money where their mouth is, and supported Aussie small press.

From there I moved on to the bar, where a large crowd shared a bittersweet hour as we remembered Paul Haines. I say bittersweet because despite the sadness, there were lots of laughs and fond reminisces as people who had known him shared their stories with those who had not had the pleasure. Truly moving. The time flew, and then it was time to suit up for the awards ceremony.

Despite the fact that there were a lot of awards to be presented, the evening did not drag at all, thanks in no small part to the excellent hosts, Mondy and Kirstyn. They shared a great chemistry without it being in jokey or over the top, and they kept the night flowing. It was an evening of both celebration and remembrance, with some truly emotional moments that included a number of awards deservedly won by the late Paul Haines and Sara Douglass. There was also a truly beautiful moment when Merv Binns with presented with the inaugural Infinity Award for contributions to the Aussie scene. There was a spontaneous standing ovation as we thanked him for his part in creating the sort of fandom that gives us wonderful events like Continuum.

I know they aren’t really some people’s cup of tea, but I’ve loved the awards ceremonies I have been to so far, I am was really happy to see this one follow the trend of last year’s Natcon with lots of people glamming up and a real effort to make them a prestigious event on the spec fic calendar. I really enjoy seeing people’ hard work rewarded, not just for standalone achievements but the awards that recognise an ongoing commitment to the community. It was a very strong field, but I don’t think anyone can argue that the winners did not deserve their awards (and the squeaking octopi that came with them!).

After the awards ceremony a few of us wandered back to Lygon Street until we were kicked out of the excellent little bar we found and went in search of more refreshments. By the time I got home it was around 4:30am so I only just made it back to the convention for a coffee catch up with a friend I had to see before they left the state and the Closing Ceremony where all the volunteers and committee members and guests were quite rightly applauded for a stellar convention.

On a personal level, I had an amazing time. Getting feedback on a story from someone like Kelly Link was a huge privilege, as was being on a number of panels with her. And, I really enjoyed the chance to be on so many panels, despite my relatively minor status in the scheme of things. I was able to catch up with people who I don’t get to see half as much as I would like, and to get to know some people with whom I’d previously only had a fleeting acquaintance with a lot better. And, of course, I was able to make a whole heap of new friends, and meet people who formerly had only been names on a byline or a webpage. As always, I was astounded and delighted by how inclusive and welcoming everyone was.

One of the more exciting writerly moments was being asked to sign a book for the first time, and by someone I didn’t know! A measure of how little I was expecting this was the fact I didn’t even have a signature worked out, as I had never expected someone to ask. I just scrawled something and mentally resolved that I would have to work something out for the future. I can just imagine myself sitting with a notepad signing my name again and again like someone about to get married and wanting to get their new name right! I ended up signing three books over the Con which was three more than I had expected, but hopefully they won’t be the last.

It’s hard to divorce my own experience and give an objective rating of the convention, but I think you would have to say it was a resounding success. It had all the elements that I think make for a good Con:

  • A hardworking, conscientious and wonderful committee and a dedicated group of volunteers
  • Notable guests who went out their way to be accessible to con goers and took their responsibilities as guests very seriously
  •  A very strong program that had something for everyone, whether you wanted a focus on writing or on pop culture
  • A central place for people to gather and hang out because, after all, it is the social aspect that makes or breaks a Con.

The only possible criticism I could make is that, yet again, the hotel management obviously hadn’t taken warnings seriously enough about how much writers can drink and didn’t have enough staff on hand. One can’t fault the bar staff though, they were unfailingly gracious and polite under a great deal of pressure.

And, the other downside of the Con was that it came to end. I always struggle readjusting to life after an event like that, where you have to go back to the boring routine of a day job and not being surrounded by wonderful people who share you passions. But, with Chicon on the horizon, at least I can start counting down to that!

Award Winners:

The 2012 Ditmars and Australian SF Awards were awarded at Continuum 8: Craftonomicon, the 51st Australian National SF Convention.  And those winners are:

The A Bertram Chandler Award: Richard Harland

The Norma K Hemming Award: AA Bell, for Hindsight, and Sara Douglass, for The Devil’s Diadem

The Peter McNamara Award: Bill Congreve

The Chronos Awards:

Best Long Fiction:
The Last Days of Kali Yuga, Paul Haines (Brimstone Press)

Best Short Fiction:
The Past is a Bridge Best Left Burnt, Paul Haines (in The Last Days of Kali Yuga)

Best Fan Writer:
Jason Nahrung

Best Fan Artist:
Rachel Holkner

Best Fan Written Work:
Tiptree, and a collection of her short stories, Alexandra Pierce (in Randomly Yours, Alex)

Best Fan Artwork:
Blue Locks, Rebecca Ing (Scape 2)

Best Fan Publication:
The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best Achievement:
Conquilt, Rachel Holkner and Jeanette Holkner (Continuum 7)

The Infinity Award, for overwhelming contribution to Australian SF: Merv Binns

The Ditmar Awards:

Best Novel
The Courier’s New Bicycle, Kim Westwood (HarperCollins)

Best Novella or Novelette
“The Past is a Bridge Best Left Burnt”, Paul Haines, in The Last Days of Kali Yuga(Brimstone Press)

Best Short Story
“The Patrician”, Tansy Rayner Roberts, in Love and Romanpunk (Twelfth Planet Press)

Best Collected Work
The Last Days of Kali Yuga by Paul Haines, edited by Angela Challis (Brimstone Press)

Best Artwork
“Finishing School”, Kathleen Jennings, in Steampunk!: An Anthology of Fantastically Rich and Strange Stories (Candlewick Press)

Best Fan Writer
Robin Pen, for “The Ballad of the Unrequited Ditmar”

Best Fan Artist
Kathleen Jennings, for work in Errantry (tanaudel.wordpress.com) including “The Dalek Game”

Best Fan Publication in Any Medium
The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best New Talent
Joanne Anderton

William Atheling Jr Award for Criticism or Review
Alexandra Pierce and Tehani Wessely, for reviews of Vorkosigan Saga, in Randomly Yours, Alex

Ditmar Awards – Nominations Open

As well as the Chronos Awards, this years Continuum will host the Ditmar Awards and nominations are now open.

You can find a comprehensive list of eligible works here, and I would encourage those of you eligible to nominate to take some time to read through the list and nominate those you find deserving.

I do have some works eligible (see below), however there are lots of other wonderful pieces there. The important thing is that you nominate the works that spoke to you, and give their creators the recognition they deserve.

Novella

“Catspaw” by David McDonald in Tales of the Shadowmen Vol 8: Agents Provocateurs (Black Coat Press).

Short Stories

“Just Like Cuckoo” by Brendan Duffy and David McDonald in The ePocalypse: emails at the end, edited by Jessy Marie Roberts (Pill Hill Press).

“Venus Transiens” by David McDonald in Horror, Humor and Heroes 3 – New Faces of Science Fiction, edited by Jim Bernheimer (EJB Networking).

William Atheling Jr Award for Criticism or Review

David McDonald, Tansy Rayner Roberts and Tehani Wessely for the “Reviewing New Who” series.