Tag Archives: New Who Conversations

2013 Ditmar Award ballot released

The 2013 Ditmar Award ballot has been released, and I am surprised and delighted to see that I have been nominated for a couple of things!

In the Best New Talent I am up against my good friend Steve Cameron and my mentor sister Stacey Larner, as well as the talented Faith Mudge. Needless to say, I am not really expecting to win given such competition, but it really is an honour to be listed alongside them.

In other categories, I have been nominated along with some of my favourite people which is a real thrill. Thanks to everyone who nominated!

As with the other awards lists released recently, there are lots of friends on there so whatever happens it is going to be a great night in Canberra.

Voting has now opened, and will remain open until one minute before midnight AEST (ie. 11.59pm, GMT+11), Thursday, 25th of April, 2013.

You can vote online here, or visit here for more information.

Good luck to all the nominees!

Best Novel

* Sea Hearts, Margo Lanagan (Allen & Unwin)
* Bitter Greens, Kate Forsyth (Random House Australia)
* Suited (The Veiled Worlds 2), Jo Anderton (Angry Robot)
* Salvage, Jason Nahrung (Twelfth Planet Press)
* Perfections, Kirstyn McDermott (Xoum)
* The Corpse-Rat King, Lee Battersby (Angry Robot)

Best Novella or Novelette

* “Flight 404”, Simon Petrie, in Flight 404/The Hunt for Red Leicester (Peggy Bright Books)
* “Significant Dust”, Margo Lanagan, in Cracklescape (Twelfth Planet Press)
* “Sky”, Kaaron Warren, in Through Splintered Walls (Twelfth Planet Press)

Best Short Story

* “Sanaa’s Army”, Joanne Anderton, in Bloodstones (Ticonderoga Publications)
* “The Wisdom of Ants”, Thoraiya Dyer, in Clarkesworld 75
* “The Bone Chime Song”, Joanne Anderton, in Light Touch Paper Stand Clear (Peggy Bright Books)
* “Oracle’s Tower”, Faith Mudge, in To Spin a Darker Stair (FableCroft Publishing)

Best Collected Work

* Cracklescape by Margo Lanagan, edited by Alisa Krasnostein (Twelfth Planet Press)
* Epilogue, edited by Tehani Wessely (FableCroft Publishing)
* Through Splintered Walls by Kaaron Warren, edited by Alisa Krasnostein (Twelfth Planet Press)
* Light Touch Paper Stand Clear, edited by Edwina Harvey and Simon Petrie (Peggy Bright Books)
* Midnight and Moonshine by Lisa L. Hannett and Angela Slatter, edited by Russell B. Farr (Ticonderoga Publications)
* The Year’s Best Australian Fantasy and Horror 2011, edited by Liz Grzyb and Talie Helene (Ticonderoga Publications)

Best Artwork

* Cover art, Nick Stathopoulos, for Andromeda Spaceways Inflight Magazine 56 (ASIM Collective)
* Cover art, Kathleen Jennings, for Midnight and Moonshine (Ticonderoga Publications)
* Illustrations, Adam Browne, for Pyrotechnicon (Coeur de Lion Publishing)
* Cover art and illustrations, Kathleen Jennings, for To Spin a Darker Stair (FableCroft Publishing)
* Cover art, Les Petersen, for Light Touch Paper Stand Clear (Peggy Bright Books)

Best Fan Writer

* Alex Pierce, for body of work including reviews in Australian Speculative Fiction in Focus
* Tansy Rayner Roberts, for body of work including reviews in Not If You Were The Last Short Story On Earth
* Grant Watson, for body of work including the “Who50” series in The Angriest
* Sean Wright, for body of work including reviews in Adventures of a Bookonaut

Best Fan Artist

* Kathleen Jennings, for body of work including “The Dalek Game” and “The Tamsyn Webb Sketchbook”

Best Fan Publication in Any Medium

* The Writer and the Critic, Kirstyn McDermott and Ian Mond
* Galactic Suburbia, Alisa Krasnostein, Tansy Rayner Roberts, and Alex Pierce
* Antipodean SF, Ion Newcombe
* The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
* Snapshot 2012, Alisa Krasnostein, Kathryn Linge, David McDonald, Helen Merrick, Ian Mond, Jason Nahrung et. al.
* Australian Speculative Fiction in Focus, Alisa Krasnostein, Tehani Wessely, et. al.
* Galactic Chat, Alisa Krasnostein, Tansy Rayner Roberts, and Sean Wright

Best New Talent

* David McDonald
* Faith Mudge
* Steve Cameron
* Stacey Larner

William Atheling Jr Award for Criticism or Review

* Alisa Krasnostein, Kathryn Linge, David McDonald, and Tehani Wessely, for review of Mira Grant’s Newsflesh, in ASIF
* Tansy Rayner Roberts, for “Historically Authentic Sexism in Fantasy. Let’s Unpack That.”, in tor.com
* David McDonald, Tansy Rayner Roberts, and Tehani Wessely, for the “New Who in Conversation” series
* Liz Grzyb and Talie Helene, for “The Year in Review”, in The Year’s Best Australian Fantasy and Horror 2011
* Rjurik Davidson, for “An Illusion in the Game for Survival”, a review of Reamde by Neal Stephenson, in The Age

A Conversational Journey through New Who – S04E01 – Partners in Crime

David is coming to New Who for the first time, having loved Classic Who as a kid. Tehani is a recent convert, and ploughed through Seasons 1 to 6 (so far) in just a few weeks after becoming addicted thanks to Matt Smith – she’s rewatching to keep up with David! Tansy is the expert in the team, with a history in Doctor Who fandom that goes WAY back, and a passion for Doctor Who that inspires us all.

We’re also joined today by guest viewer Lynne M. Thomas, co-editor of the Hugo-winning book Chicks Dig Time Lords and co-creator of the new Doctor Who podcast Verity! Lynne gives Tansy a run for her money when it comes to Doctor Who expertise and we welcome her to our review!

We are working our way through New Who, using season openers and closers, and Hugo shortlisted episodes, and sometimes a couple of extra episodes we love as our blogging points. Just for fun!

“Partners in Crime” – S04E01
The Doctor – David Tennant
Donna Noble – Catherine Tate

DAVID:
So, obviously the big news with this episode is the return of Donna, and I for one was thrilled. I really enjoyed her character in this episode, more so than in “The Runaway Bride”, to be honest. She seemed to have a bit more depth to her this time around, and I quite liked the idea of her as the enterprising journalist, sneaking around and gathering information.

TEHANI:
I love Donna so much! She’s brash and ditzy but really smart and deeply passionate and grounded, under the ditz and show! I’ve rewatched this episode a bunch of times though, and still keep seeing Donna’s desperate search for aliens as just that – a bit desperate, as if she’s realised what she let go when she chose not to go with the Doctor, and will do anything to get it back. Not from a romantic or lost (potential) love point of view or anything, but it’s just, well, desperate! It’s one of the sour notes of this episode for me, but there’s so much else I loved 🙂 Particularly – DONNA’S BACK!

LYNNE:
I love this episode like pie. The dynamic between the Doctor and Donna, particularly in the scenes where they are miming across the room at each other, reminds me of the best screwball comedies from the 30s and 40s.

Both Tennant and Tate’s performances are pitch perfect, down to Tennant’s obvious discomfort with the young lady at Adipose Industries giving him her phone number, and Tate’s acting the first time she claps eyes on an adipose for herself, which is a splendid mix of disbelief, triumph, and moderated fear because the things are so darned cute. All of which she is likely doing as she reacts to a tennis ball on a stick off camera.

4-01-Partners-In-Crime-the-doctor-and-donna-doctordonna-23023464-1600-900

DAVID:
To me, Donna comes across as very single minded and determined when she has set a goal, and this is comes across really well in this episode. The only thing that I struggled with was that in between seeing her in “The Runaway Bride” and in this episode I have been watching her in The Office – a very different role!

But, yes, Tate has an incredible talent for physical comedy (all comedy, really), and the scene’s with her and Tennant are hilarious. Sometimes RTD’s scripts try for comedy and fall a little short, but in the two T’s he has the perfect tools for the job.

TANSY:
Ooh I have been meaning to watch that season of The Office, purely for her. Does it matter I haven’t watched the previous seasons?
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Classic Who Conversation – Genesis of the Daleks

After a bit of a hiatus, here’s another podcast! Tansy, Tehani and I had lots of fun talking about perhaps my favourite Classic Doctor Episode of all time, Genesis of the Daleks.

I must apologise for the sound quality, I hate listening to myself in most circumstances but I sound like I am doing a second rate Davros impersonation here! It’s partly Skype, but mostly that I need to get a decent microphone. Suggestions are welcome. 🙂

We cover a lot of ground in a hour, and I hope that you enjoy.

Genesis_of_the_Daleks

A Conversational Journey through New Who – Season Three Report Card

See David’s S2 Report Card, Tansy’s S2 Report Card and Tehani’s S2 Report Card through the clickies! (See our Season One Report Cards here)

SEASON THREE REPORT CARD – David

The Doctor: David Tennant

While there were a few not so great episodes in this season, there were also some exceptional ones that gave Tennant a chance to really shine. With someone as charismatic as Tennant there is always the temptation to just play himself, amplified, but instead we had plenty of chances to see the full range of his acting ability.

This is the season where I think he is really at home in the role as the Doctor and while the first season was about him finding his feet, this one is about him making his mark. Yes, there are some clunkers of episodes, there are also some of the best writing and acting we have seen so far.

The Companions:

Martha Jones: Freema Agyeman

I love Martha as a companion, but too often she gets shortchanged. Instead of focussing on her intellect and the way she, as much as any human can, interacts with with Doctor as somewhat of an equal, we had far too many scenes where they play up the romantic angle. It’s not just my own aversion to this speaking here, I really do think it was to the detriment of her character.

I hated the idea of her being set up as somehow competing with Rose, to me Martha deserves to be judged on her own merits. The episodes where she is left simply to be Martha are excellent and wanted to see more. I thought Freema was stellar in Human Nature and the way Martha brings a modern perspective to different times was handled perfectly. I wish they had made more of her travels in the season finale, that was perhaps my favourite bit about it, the way that she achieved so much and kept the flame burning while the Doctor was house elfing around.

Recurring Characters:

Captain Jack Harkness: John Barrowman

I much preferred this Jack to the one we had seen earlier. I thought there was more depth to his character, as if he had matured a bit (can I use matured and Jack in the same breath?) after all the things he had seen and the way he had changed. The idea of a man who couldn’t die was very clever, as was the way it was used as a plot device, but I wasn’t convinced by the Face of Boe payoff.

As I have probably said way too many times, I love the Doctor/male companion/female companion dynamic and I thought that Martha and Jack were a much better pairing than Jack and Rose.

The Master: John Simm

I think I will be in the minority here, but John Simm’s Master didn’t grab me at all. He seemed to be trying to compete with Tennant, and it didn’t come off as much as I am sure he would have hoped. There were some nicely chilling moments, but I would have been more than happy to see Derek Jacobi as the Master for the whole of the character’s appearance.

Saying that, I loved the reappearance of the Master, another example of how this incarnation of the show is very much a continuation of Classic Who and that its heritage hasn’t simply been thrown out. I hope he makes another appearance!

Martha’s family: Adjoa Andoh (mother Francine), Trevor Laird (father Clive (divorced from Francine)), Gugu Mbatha-Raw (sister Tish), and Reggie Yates (brother Leo).

I liked seeing the way Martha’s family influenced her life and impacted on her actions, and I thought it was generally pretty believable. I thought, though, that they made Francine very hard to sympathise with. While Jackie sometimes did things that I couldn’t agree with, she was a very likeable and sympathetic character, and you could always see that she was acting out a genuine desire to protect Rose. Francine, however, came across as a bit nasty.

What is your favourite episode of this season?

Hands down – Human Nature/Family of Blood. I really enjoyed Blink, but if it had been up to me Human Nature/Family of Blood would have gotten the Hugo. This was Doctor Who, and television, at its best. It touched on a number of complex issues without taking the easy option, it was deeply emotional without being heavy handed and it featured some amazing guest performances. I was really moved by this episode, and full of admiration for the complexity of what they managed to pack into two episodes.

It gave us a whole new look at the Doctor as a character and elevated Tennant in my eyes as an actor, and he was brilliantly supported by Freema and the guests. The villains were as creepy as it gets, plus it was set in an era that fascinates me. It lived up to the billing in that it looked at love and war and human nature – what more can you ask for?

Least favourite episode?

I didn’t think it was as bad as everyone else seemed to, but The Lazarus Experiment was definitely the weakest of the episodes.

Favourite guest performance?

It’s hard to split Jessica Hynes as Joan Redfern and Carey Mulligan as Sally Sparrow, while Derek Jacobi was perfect. I am going to, under protest, pick Jessica Hynes because she was a big part of why my favourite episode to date was so amazing.

Describe this season in one word!

Rollercoaster

Grade: B+

A Conversational Journey through New Who – Voyage of the Damned (S03 Christmas Special)

David is coming to New Who for the first time, having loved Classic Who as a kid. Tehani is a recent convert, and ploughed through Seasons 1 to 6 (so far) in just a few weeks after becoming addicted thanks to Matt Smith – she’s rewatching to keep up with David! Tansy is the expert in the team, with a history in Doctor Who fandom that goes WAY back, and a passion for Doctor Who that inspires us all. We’re also joined today by guest viewer Joanne Anderton, who is also discovering New Who for the first time! We’re working our way through New Who, using season openers and closers, and Hugo shortlisted episodes, as our blogging points. Just for fun!

Last time we looked at the Season 3 finale and now we move on to:

“VOYAGE OF THE DAMNED”
Christmas Special 2007.
The Doctor – David Tennant
Astrid Peth – Kylie Minogue

TANSY:
Before we get started, can I just ask – have you both watched “Time Crash,” the Children in Need special which takes place between the farewell of Martha and the collision of the TARDIS with the Titanic?

TEHANI:
I have! But I went and watched it again to remember. So cute seeing Tennant fanboy over Peter Davison (er Moffett – that’s not confusing at ALL).

DAVID:

I hadn’t, but I have now! I wish I had watched it first, because it makes the start of “Voyage of the Damned” a little more understandable. I know it is one of those things that if you aren’t a fan would make very little sense at all and would seem very self indulgent, but I LOVED it. My strongest memories of Doctor Who are Baker and then Davison and it brought back a lot of memories.

I really enjoyed the little jokes about aging and the obviously heartfelt bit at the end, and Tennant was clearly thrilled and a little awed to be working with Davison. It’s great to know that he is a fan at heart too, and so are the writers. I’ve really appreciated that New Who hasn’t just thrown out or tried to disown Classic Who and this is a great example of how most of the people in the new show wanted to be involved because they loved the old show.


On to Voyage! For me, this is probably the strongest of the Christmas specials so far. I have to admit, for a moment I was thinking that is was actually set on the real Titanic, and then I started to notice all the odd little features of the setting and twigged. In my defense, I was distracted when I caught of a glimpse of someone and thought, “OMG, is that Kylie?!”

TANSY:
I’ve had mixed feelings about “Voyage of the Damned” in the past but on this rewatch was interested to see how technically good it is – so tightly plotted, and cleverly put together. Things that are vital later are telegraphed early on, such as the forklift, or the undercurrent about cyborgs being seen as an underclass (though they can get married now!) I think it’s held up very well, and I would agree it’s the best of the Christmas specials though I still *like* “Runaway Bride” more, purely because of Donna.

TEHANI:
I even think there’s some telegraphing of things to come in season four, which was impressive. But agree, it’s well put together!

TANSY:
And yes, Kylie! It was such a big deal when this came out, and casting Kylie Minogue was almost a parody of extravagant casting – a sign that the show was big, bigger than we had ever imagined it would be. She even posed with a Dalek, though unlike Katy Manning, she kept her hot-pants on. But despite the evident stunt-casting, I think her performance works really well – she brings a wistful sweetness to Astrid, and I like the depth she gives to the character, which as written could have been played by someone half Kylie’s age.

David … did you REALLY not know Kylie was in this? How had you possibly remained unspoiled about that?

DAVID:
I’ve tried very hard to avoid spoilers, which has been rather difficult! Obviously there are a few things that I can’t help but know about, like that there is someone called River Song in the future and that Neil Gaiman wrote an episode, but I have managed not to pick up too many details. Imagine how tough it was sitting on two Doctor panels at Worldcon!

So, I probably heard that Kylie was in an episode at some point, but I would have just let it go in one ear and out the other, and definitely wouldn’t have remembered which episode it was exactly.

TEHANI:
I just did about my fourth rewatch of this episode, and think that this is probably the strongest acting I’ve ever seen from Kylie. Still a little cringey at times, but I think that was more about the instant Doctor-adoration than the Aussie-ness of her performance! Solid!

TANSY:
I love that in the last year you’ve gone from someone who’d never watched the show to someone who has watched some episodes FOUR times!

TEHANI:
Instant fangirl, just add Doctor! 🙂


DAVID:
The cast in general is very strong, quite a few actors who, even if you can’t put a name on them straight away, you know that you have seen them before. Clive Swift will always have a special place in my heart and Geoffrey Palmer is excellent as the doomed Captain. And, it’s good to see that they’ve kept up up the Christmas Special tradition of a villain who relished the chance to chew up the scenery (and a few other traditions I am sure we will come to later!). George Costigan appears to channelling Doctor Evil at some point!

TANSY:
Yes there are some great parts and casting choices considering that it is basically a disaster movie with a limited time for each of the roles to shine. I love that they got in someone with Geoffrey Palmer’s track record to play what amounted to a couple of scenes, but didn’t he sell those scenes gorgeously?

TEHANI:
I adore Geoffrey Palmer! He’s a fantastic actor and it was really cool to see him in this.

Tansy, you’ll have known this of course, but I have just been surprised by the Doctor Who connections of many of the cast, listed in the Wikipedia entry for the episode:

Clive Swift and Geoffrey Palmer have had previous roles in the classic series. Swift portrayed Jobel in Revelation of the Daleks, while Palmer played Undersecretary Masters in Doctor Who and the Silurians, and an administrator in The Mutants. Jessica Martin had played Mags in The Greatest Show in the Galaxy. In addition, Bernard Cribbins played Tom Campbell in Daleks’ Invasion Earth: 2150 A.D., the second Doctor Who feature-film adaptation starring Peter Cushing as well as Arnold Korns in the audio play Horror of Glam Rock.

And of course, we’ll see more of Bernard Cribbins later (no spoilers David!).

TANSY:
I knew about Bernard Cribbins and Geoffrey Palmer (if you want to see a young Cribbins, the two Peter Cushing Dalek movies make great family viewing fare for Saturday afternoons, and the DVD release for them was super cheap)! I remember Jessica Martin as Mags too but had forgotten she was in this in the blink-and-you’ll-miss-it role of the Queen’s voice. I had no idea about Clive Swift, probably because I haven’t watched “Revelation of the Daleks” for 15 years or more – it was one of the few stories they didn’t include in the big ABC rescreening of classic stories in the three years before New Who began.

The casting choice that leaps out at me is young Russell Tovey, who is even more famous now than he was starting to be back then, thanks to Being Human and other prominent roles. This was the first thing I ever saw him in and the first time I’d even heard of him, but he is adorable as the baby-faced and steadfast midshipman Alonso Frame.

DAVID:
I thought Kylie was wonderful in this, but it seems the Doctor only has to look at someone before they want to jump on the TARDIS! Not that the Doctor can talk, his loneliness is very apparent in how eager he is to replace Martha. One can’t help but wonder how much fun it might have been had Mr Copper become the new companion, but that was never on the cards. Shame.

TANSY:
Ha yes, the Doctor totally gave Mr Copper the brush off, didn’t he? Funny how he tends to only encourage the young, hot ladies for the most part… I do like the Astrid-Doctor relationship, and the fact that she obviously has saucy designs on him (love the crack where he says she should see him in the morning and she is TOTALLY up for that), even though it is the third companion who has fancied the pants off him (thank goodness for Donna!)

But I also like how much of a story we get to Astrid, through only a few telling details. Her longing to travel and her wonder at walking the “alien” streets of London is very touching, and you get the sense that she would have been a very good companion in the classic sense. While she has nothing else in common with Ace, I was reminded of her with the set up of the waitress who ends up waiting tables no matter how exotic the location she travels to…

Oooh and another tidbit – there were huge rumours ahead of time about what Astrid’s role would be, because her name is an anagram of TARDIS. But that was a total red herring.

TEHANI:
This is what I love best about these reviews with you two – all the little tidbits (even when they were red herrings)! 🙂

DAVID:
The rest of the characters are all very well realised (if quite stereotypical), from the oily rich man to the midshipman whose sense of duty shines through. I particularly loved the Van Hoffs and was devastated when they died. There is a very high body count in this episode actually! The whole secondary characters dying in noble self sacrifice is very Classic Who, seemed to happen almost every episode.

TANSY:
From what I have heard, disaster movies are actually a big TV tradition in the UK, and so this was constructed with that in mind. It’s the first time (except maybe for 1996) that Doctor Who has really felt like an action movie rather than a TV show. And of course the high body count goes along with that – bumping everyone off one by one.

I really liked the Van Hoffs too – I wince at the ‘comedy of fat’ elements that I think go too far, but it’s pretty clear that everyone who mocks them is an ass. They’re a great example of a sweet, loving couple. It’s a sign of how great their relationship is that Morvin laughs his head off when Foon confesses her terrible secret. And oh – you really feel for her when he falls, and later when she sacrifices herself in such a heroic fashion, and you know that it’s because she doesn’t want to be without him.

TEHANI:
After multiple watchings, I thought the “comedy of fat” elements were actually quite well done – like you said, anyone who mocks is obviously an ass, and the way the Van Hoffs handle the mockage is great. Just my thoughts though 🙂

TANSY:
Ha yes I agree with you after this viewing but I think in the past I was wincing too much to notice – and Russell T Davies does have something of a habit of writing fat characters that are figures of fun.

Bannakaffalata was a lovely alien addition to the crew of survivors – I like how many of these characters had a comic dimension to them, balanced out with the horror and drama of what’s happening to them.

TEHANI:
Back to David’s point about the high body count: for some reason, I had it in my head that midshipman Alonso also bit the dust at the end of the episode, until I rewatched again today. There’s so many people who die, it just must have stuck that he did too!

As an aside, the Doctor’s glee at being able to say, “Allons y Alonso!” was just delightful.

TANSY:
He totally seems marked to die, doesn’t he? I had a similar experience with the movie American Graffiti, where I misremembered the ending for years and was deeply upset at the death of a character in a car crash … and then later watched it and discovered that he came out of it just fine!

The Allons y Alonso line actually really confused me the first time I heard it, I think because “Allons y” had not registered with me as a true Doctor catchphrase – he’d only used it a few times before this special, maybe only once – and I’d forgotten about it. Now of course, it makes sense! I think I was annoyed at it originally as a blatantly tacked-on catchphrase, but as with many things Whoish, familiarity and nostalgia has swept away the irritation.

I have to say one of my favourite bits of this whole episode is the Bernard Cribbins cameo, and the whole reference back to the previous two Christmases and why everyone in London has evacuated. It’s just brilliant! I enjoy these details that show how the stories we have watched have changed the perception of the world around them in these high media days. I also like the Doctor trying to defend Christmas from Mr Copper’s slanders, only to break and admit, “What am I saying, my Christmases are always like this.”

DAVID:
The idea that all these alien invasions have consequences has been touched upon quite a bit in New Who, from the Christmas invasions to the alien museum, and it is an idea that I like. Once things go public, it makes sense that these things would change the perceptions and worldviews of the average person. It doesn’t seem credible that they would just exist in isolation, or be so easily covered up. I’ve also liked the little nods to the idea that there would be groups that might notice the Doctor cropping up throughout history and build conspiracy theories around it, as well.

TANSY:
The Christmas (disaster) special was something that we got entirely from New Who rather than Classic, and to me really sums up the RTD era as a whole – I love how quickly and easily it formed a tradition, and one which we take completely for granted. Not sure that we really needed the running joke about pretendy snow, though – yes they always make it snow in Christmas movies, and yes it never snows in London at Christmas but I seem to recall around about the time this special was released that they DID have a massive cold snap, and London had snow at Christmas. Time to retire the joke, Russell T…

Previous Episodes
“Rose”, S01E01
“Dalek”, S01E06
“Father’s Day”, S01E08
“The Empty Child/The Doctor Dances”, S01E09/10
“Bad Wolf/The Parting of the Ways”, S01E12/13
Season One Report Card – DavidTansyTehani
“The Christmas Invasion”, 2005 Christmas Special
“New Earth”, S02E01
“School Reunion”, S02E03
“The Girl in the Fireplace”, S02E04
“Rise of the Cybermen/Age of Steel”, S02E05/06
“Army of Ghosts/Doomsday”, S02E12/13
Season Two Report Card – David, Tansy, Tehani
“Smith and Jones”, S03E01
“The Shakespeare Code/Gridlock”, S03E02/03″
“Human Nature/Family of Blood”. S03E08/09″
“Blink”. S03E10″
“Utopia/The Sound of Drums/Last of the Timelords”, S03E12/13/14

A Conversational Journey through New Who – Spearhead from Space!

As we prepare to start on the next season of Doctor Who in our conversational review series, we thought we would do something different and check an episode of Classic Who. We made a list of epsiodes worth looking at, and Tansy suggested “Spearhead from Space”. There were a number of reasons it seemed a great start, it is the first appearance of Jon Pertwee as the Doctor, was intended as a mini reboot of the series and, very importantly, features Caroline John as Liz Shaw (some of you may be aware that, sadly, she passed away this year).

And, to make it even more different, we decided to try our hand at podcasting! This was my first experience, and rather nerve wracking, but we got through it. I am not game to listen to my babbling, so you will have to let me know how I went.

We had a lot of fun, and hopefully you will enjoy listening as much as we enjoyed making it. You can listen from the Podbean site, or download in iTunes (search The Book Nut or “Doctor Who in Conversation”). A big thanks to Andrew Finch for producing it for us!

A Conversational Journey through New Who – S03E12/13/14 – Utopia/The Sound of Drums/Last of the Timelords

David is coming to New Who for the first time, having loved Classic Who as a kid. Tehani is a recent convert, and ploughed through Seasons 1 to 6 (so far) in just a few weeks after becoming addicted thanks to Matt Smith – she’s rewatching to keep up with David! Tansy is the expert in the team, with a history in Doctor Who fandom that goes WAY back, and a passion for Doctor Who that inspires us all. We’re also joined today by guest viewer Joanne Anderton, who is also discovering New Who for the first time! We’re working our way through New Who, using season openers and closers, and Hugo shortlisted episodes, as our blogging points. Just for fun!

Last time we looked at Blink, and now we move on to:

“Utopia / The Sound of Drums / Last of the Timelords”
The Doctor – David Tennant
Martha Jones – Freema Agyeman
Captain Jack Harkness – John Barrowman
Professor Yana – Derek Jacobi
The Master – John Simm

TEHANI:
So, this feels like a bit of a cheat really, but the finale of season three is actually three linked episodes, so that’s how we’ll review them!

First up, JACK IS BACK! Woo! I had forgotten that he and the Doctor actually have a conversation about why the Doctor deserted Jack after he was killed and made immortal. In fact, there’s a lot I’d forgotten about the conversations in “Utopia” – there’s actually some quite revealing things said, which are important to both hindsight and for setting up what’s ahead, which was pretty cool second time around.

TANSY
I am watching this live with Tehani in my living room! Sorry, David. Obviously you need to come visit us too.

DAVID:
Haha maybe next time we need to skype or something.

TANSY:
That would be great fun, though only one step away from podcasting…

My honey is lecturing us on how far away the heat death of the universe will be, and suggesting that the Doctor has got his sums wrong. Surely not!
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A Conversational Journey through New Who – S03E10 – Blink

David is coming to New Who for the first time, having loved Classic Who as a kid. Tehani is a recent convert, and ploughed through Seasons 1 to 6 (so far) in just a few weeks after becoming addicted thanks to Matt Smith – she’s rewatching to keep up with David! Tansy is the expert in the team, with a history in Doctor Who fandom that goes WAY back, and a passion for Doctor Who that inspires us all. We’re also joined today by guest viewer Joanne Anderton, who is also discovering New Who for the first time! We’re working our way through New Who, using season openers and closers, and Hugo shortlisted episodes, as our blogging points. Just for fun!

We would like to thank everyone who nominated our “New Who in Conversation” series for the William Atheling Jr Award – it’s a great honour to be on the ballot! Voting for the annual Ditmar Awards (which the Atheling is included in) is open to all members of Swancon 36 (2011 Natcon – Perth) and Craftinomicon (2012 Natcon – Melbourne), and can be done online.

Last time we looked at Human Nature and The Family of Blood, and now we move on to:

“Blink” – Season three, Episode Ten
Sally Sparrow – Carey Mulligan
The Doctor – David Tennant
Martha Jones – Freema Agyeman

 

TEHANI:
We move straight from the excellence that is “Human Nature / The Family of Blood” into the completely different, but equally amazing, “Blink”. And I want to say it straight up – Sally Sparrow ROCKS. Carey Mulligan, who plays Sparrow, absolutely owns this episode – it’s pretty amazing, for a one off appearance.

She shares very little screen time with the Doctor, as this is a “Doctor-lite” episode, and I wonder if this lets us really embrace her – she IS the focus of the episode. While the Doctor is there, making things happen, he’s not THERE, onscreen, with his dazzling charisma – it’s all about Sally – ordinary Sally thrown into the strangest of events – who really gets the job done. I LOVE her!

Favourite line: “I’m clever, and I’m listening. And don’t patronise me, because people have died and I’m not happy.” Go Sally – Doctor smackdown!

And two episodes in a row we have a gorgeous, strong woman finding the Doctor, and passing him up. Poor Matron Redfern in the preceding episodes really had a hard job of it, but Sally did it splendidly – she recognised the Doctor for who and what he is, and it made her choice easy.

TANSY:
I think Sally Sparrow is the character most requested to return as a companion – and as Carey Mulligan’s star rises in Hollywood it becomes less and less likely. She is playing Daisy in the new Great Gatsby movie opposite Leo DiCaprio!!

TEHANI:
Even more than Sophia Myles?? Wow, impressive!

DAVID:
Yes, Sally really is the star of this episode. She has some wonderful lines, and we see the whole range of human emotion in yet another stellar guest appearance. How moving was the scene in the hospital, or how cutting was the “We just run a shop together”? I love the line you mentioned, Tehani, but my personal favourite – “Sad is happy for deep people.” Carey Mulligan has a great screen presence, and I can see why people wanted Sally Sparrow to return. But, as I will no doubt talk about further, I think Sally makes the right decision in the end.

TANSY:
I do love Mulligan in this; her performance is fantastic and it’s one of my favourite Moffat scripts, not for the scary parts so much as the excellent banter, and the economy of words. Nearly every line is packed cleverly with so much character as well as driving the plot forward.

Sally is a wonderful example of someone who can be heroic without necessarily being violent or special. Though she is of course, clever!

I wondered watching this whether they could actually do a whole season (or mini-season) of Doctor Who stories that do exactly this, that show a one off character and their experience with the Doctor from their own point of view rather than that of the Doctor or an Official Companion. Would it work if this was the formula rather than an occasional experience?

TEHANI:
Do we love the Doctor too much to appreciate Doctor-lite episodes for a full season? 🙂

TANSY:
They wouldn’t have to be Doctor-lite! Just putting the point of view in the hands of new characters instead of a continuing companion. It could be argued of course that they did this in 2009, but I don’t want to spoil David so I’ll shut up now…

JO:
Don’t spoil for me either, thank you very much! 🙂
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A Conversational Journey through New Who – S03E08/09 – Human Nature/The Family of Blood

David is coming to New Who for the first time, having loved Classic Who as a kid. Tehani is a recent convert, and ploughed through Seasons 1 to 6 (so far) in just a few weeks after becoming addicted thanks to Matt Smith – she’s rewatching to keep up with David! Tansy is the expert in the team, with a history in Doctor Who fandom that goes WAY back, and a passion for Doctor Who that inspires us all. We’re going to work our way through New Who, using season openers and closers, and Hugo shortlisted episodes, as our blogging points. Just for fun!

We would like to thank everyone who nominated our “New Who in Conversation” series for the William Atheling Jr Award – it’s a great honour to be on the ballot! Voting for the annual Ditmar Awards (which the Atheling is included in) is open to all members of Swancon 36 (2011 Natcon – Perth) and Craftinomicon (2012 Natcon – Melbourne), and can be done online.

Last time we looked at “The Shakespeare Code“ and “Gridlock”, and now we move on to:

“Human Nature” and “The Family of Blood” – Season Three, Episodes Eight and Nine
The Doctor – David Tennant
Martha Jones – Freema Agyeman


TEHANI:
Before we wriggle on to some of the best eps yet, a quick look at those we’ve skipped…
“Daleks in Manhattan / Evolution of the Daleks” – over the top, quite offensively horrible in some places, and really not at all engaging. Oh, and another “last Daleks eva” storyline, with the Cult of Skaro back again. I pretty much skimmed this on the rewatch and didn’t feel I’d missed anything at all. In fact, I wish I hadn’t bothered at all and never reminded myself of the horrible pig-men. And I REALLY wish this hadn’t been dragged out to two episodes – perhaps in one it would have been a bit better. I think I know what it was aiming to say, but for me, it was definitely a low of New Who.

DAVID:
Wow, you really didn’t like it! I actually quite enjoyed it, and my inner romantic was very happy that Laszlo and Tallulah ended up together at the end. My only real issue, and I am afraid that it really did bug me, was the way that the human hybrid version of Dalek Sec talked, it was atrocious.

TANSY:
I think this is one of my long-term least favourite, and nothing much has changed! The concept of the Daleks in 1930s New York is brilliant, and I liked the idea that they are the only reason the Empire State Building got built, but there isn’t much for me to love here.
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A Conversational Journey through New Who – S03E02/03 – The Shakespeare Code/Gridlock

David is coming to New Who for the first time, having loved Classic Who as a kid. Tehani is a recent convert, and ploughed through Seasons 1 to 6 (so far) in just a few weeks after becoming addicted thanks to Matt Smith – she’s rewatching to keep up with David! Tansy is the expert in the team, with a history in Doctor Who fandom that goes WAY back, and a passion for Doctor Who that inspires us all. We’re going to work our way through New Who, using season openers and closers, and Hugo shortlisted episodes, as our blogging points. Just for fun! Last time we looked at “Smith and Jones“, and now we move on to:

“The Shakespeare Code” – Season Three, Episode Two
The Doctor – David Tennant
Martha Jones – Freema Agyeman
Shakespeare – Dean Lennox Kelly

TEHANI:
So, Martha’s first adventure and we get Shakespeare! There’s a lot to like about this episode. Ten is clearly enjoying himself on this one, and Martha does well for her first time travelling, don’t you think? Asking the important questions for us not in TV-land and getting timey-wimey explanations in return.

TANSY:
Yes I like that Martha has a very down to earth and practical approach to time travel, and while she has just as much sense of wonder as Rose, there’s a bit more of – I don’t know, is it snobbish to say she feels more intellectual in how she takes in history? Less giggling, more cynical nodding.

TEHANI:
I don’t think it’s snobbish – true, maybe, but just another way to identify the differences between the companions I guess. Martha is better educated and a little more worldly than Rose, so showing Martha reacting quite differently to how we saw Rose reacting is reasonable.

TANSY:
I also think it’s important that Martha raises the race question early, and that the Doctor answers it – it’s a little glib for him to suggest she just walk around like she own the place, because he’s speaking from white male privilege, but at the same time it is important to note that there were people of colour (if not as many as now) in British history, and it’s only a century of whitewashed movies and television that makes us think otherwise. Important that the race issue is addressed in the time travel stories, because pretending Martha isn’t black would be bizarre. I rather like her “not exactly white, in case you haven’t noticed” line because, let’s face it, the Doctor probably WOULDN’T think about that sort of thing.

DAVID:
That’s something I did wonder about, wouldn’t Martha have stood out a little more than she did, not only because of her colour but because of what she was wearing? I would have thought both would have excited more reaction than they did. I’m quite happy to admit to be speaking from a lack of knowledge here, but I would have thought that London circa Shakespeare’s time would be pretty homogeneous so I’d love to be pointed to some sources that talk about the history we don’t see usually see in movies and TV, and perhaps our readers would like to as well (this is something I also wondered when watching the one episode of Merlin I’ve managed to catch)?
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